Cheshskiĭ kukolʹnyĭ i russkiĭ narodnyĭ teatr / Petr Bogatyrev. 1923 [Leather Bound]

by Petr Bogatyrev

This edition features a leather binding on the spine and corners, adorned with gold leaf printing on the rounded spine. Additional customizations are available upon request, such as full leather binding, gold screen printing on the cover, colored leather options, or custom book colors. Reprinted in 2022 from the original edition published many years ago [1923], this book is presented in black and white with a sewn binding to ensure durability. It is printed on high-quality, acid-free, natural shade paper, resized to meet current standards, and professionally processed to maintain the integrity of the original content. Given the age of the original texts, each page has been meticulously processed to enhance readability. However, some pages may still have minor issues such as blurring, missing text, or black spots. If the original was part of a multi-volume set, please note that this reprint is a single volume. We hope you understand these limitations and appreciate our efforts to preserve this valuable piece of literary history. We believe this book will be of great interest to readers keen on exploring our rich cultural heritage and are pleased to bring it back to the shelves. We welcome your feedback and suggestions. Russian, 136. Full leather binding is available for an additional $25 beyond the price of the standard leather-bound edition. {Folio edition also available.} Complete Cheshskiĭ kukolʹnyĭ i russkiĭ narodnyĭ teatr / Petr Bogatyrev. 1923 [Leather Bound] by Bogatyrev, Petr,

136 pages, Leather Bound

Published January 1, 2022

About the author

Petr Bogatyrev was a Soviet folklorist, ethnographer, and theatrical scholar.
In 1918 he graduated from the historicalphilological faculty of Moscow University. He became a professor at Moscow University in 1940. His doctoral dissertation was on the Czech folk theater. He was a prominent collector of folklore. His principal works are devoted to the folk theater and to the specifics of folklore and its poetics. Magical Acts, Rituals, and Beliefs in Ciscarpathian Russia (Paris, 1929), The Czech and Slovak Folk Theater (Prague, 1940), and Slovak Epic Tales and Lyric-Epic Songs (“Zboinitskii Cycle,” 1962) are especially outstanding.