Exposed Memories

by Zsófia Bán (Editor), Hedvig Turai (Editor)

Within the larger context of cultural memory, family pictures have become one of the most intriguing multi- and interdisciplinary fields of investigation in the past decade. This field brings together artists working in different media (e.g. documentary photography and film, photo-based painting and installations, digital art, collage, montage, comics, etc.) as well as academics, critics, theorists and writers working in a wide range of disciplines including literature, history, art history, sociology, anthropology, psychoanalysis, film and media studies, visual culture studies, gender studies, postcolonial studies, and word and image studies. This volume intends to offer a broad, panoramic view of the topic combining West and East European as well as American perspectives.

206 pages, Hardcover

First published June 1, 2010

About the author

Zsófia Bán was born in Rio de Janeiro in 1957 and grew up in Brazil and Hungary. A writer, essayist, and critic of art and literature, she made her fiction debut in 2007 with Esti iskola [Night School: A Reader for Adults], followed by Amikor még csak az állatok éltek [When There Were Only Animals, 2012].

Zsófia Bán’s writing often addresses topics related to visuality, visual arts, photography, personal and cultural memory, historical trauma, as well as gender. She has written a number of essays related to the topic of literature and visuality, including those on W.G. Sebald, Susan Sontag, Imre Kertész and Péter Nádas. Her short stories and essays have been widely anthologized, and translated to a number of languages, including German, English, Spanish, Czech, Slovakian and Slovenian.

She lives and works in Budapest, where she is Associate Professor at Eötvös Loránd University, Department of American Studies.

Le Rouge et le Noir (Moving House and Farewell)

On the Eve of No Return

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Wikipedia

Eötvös Loránd University