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The composer, by Agnes and Egerton Castle frontispiece by Charles S. Chapman. 1911 [Leather Bound]
Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2018 with the help of original edition published long back [1911]. This book is printed in black & white, sewing binding for longer life, printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - eng, Pages 308. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete The composer, by Agnes and Egerton Castle ... frontispiece by Charles S. Chapman. 1911 Castle, Agnes, d. .
308 pages, Leather Bound
First published October 16, 1910
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About the author
Agnes Castle
85 books1 followerBorn Agnes Sweetman.
She and her husband Egerton Castle wrote many of their books together. Her sisters Elinor Sweetman and M.E. Francis were also writers.
She and her husband Egerton Castle wrote many of their books together. Her sisters Elinor Sweetman and M.E. Francis were also writers.
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Displaying 1 - 3 of 3 reviews
February 19, 2016
4.5 Stars
This is the story of a pleasant young man helplessly in love with an aspiring opera singer, a naive but talented protege. More importantly, it's the story of the great composer Lothario, an almost superhuman artist who dominates, engulfs, tortures, consumes and inspires great ART while madness follows in a wake behind him.
The authors take their time in laying the foundation here, I'll admit I wasn't fully invested in the story until the halfway point where all the soul grinding agony begins and Sarolta falls under the master's spell. We watch her somewhat uneasily, as she soars to a pinnacle of glory so high that only despair can possibly follow, and her reemergence as if from the grave itself, a glowing ember buried deep in ashes but stronger for surviving.
there is the flame, my dear...it was red all the time, under the white"
Beautiful story for all lovers of art and music.
Recommended for those who enjoyed "Voices of Summer" by Diane Pearson, "The Constant Nymph" by Margaret Kennedy and of course, "The Phantom of the Opera".
This is the story of a pleasant young man helplessly in love with an aspiring opera singer, a naive but talented protege. More importantly, it's the story of the great composer Lothario, an almost superhuman artist who dominates, engulfs, tortures, consumes and inspires great ART while madness follows in a wake behind him.
The authors take their time in laying the foundation here, I'll admit I wasn't fully invested in the story until the halfway point where all the soul grinding agony begins and Sarolta falls under the master's spell. We watch her somewhat uneasily, as she soars to a pinnacle of glory so high that only despair can possibly follow, and her reemergence as if from the grave itself, a glowing ember buried deep in ashes but stronger for surviving.
there is the flame, my dear...it was red all the time, under the white"
Beautiful story for all lovers of art and music.
Recommended for those who enjoyed "Voices of Summer" by Diane Pearson, "The Constant Nymph" by Margaret Kennedy and of course, "The Phantom of the Opera".
May 2, 2016
What is it about music, that is so beautiful, so heart-wrenchingly tragic, yet has a spark of hope for better things to come?
As with all the wonderful musical/operatic books I've read, The Voices Of Summer, The Phantom of the Opera and The First Violin, there's an element of tragedy, the kind where I'm not sure if it's just me feeling tragic or if there really is a tragedy.
The same feeling assaults me in The Composer. And yet, it's an excellent story that anyone who has enjoyed the other music books mentioned, will probably like.
The plot put simply:
Jonny, a young gentleman has fallen in love with a beautiful young soprano, and it's not because of her voice. He hasn't ears for music, it's just something he sees in her. (Wish I had seen it) Like a dog, he worships her.
Sarolta, the young soprano and Sady her friend both are being trained by a famous opera teacher, someone who is close with the musical genius of the century, Lothnar.
Lothnar, the genius, the mad composer, goes to this opera teacher and picks out a singer for his new production, Iphigenia. He picks Sarolta, she will be His Singer, His Reed to Pipe His Music.
Sarolta soars high, so few singers ever received Lothnar's approval.But what will it take to remain in his favor, when she is to play to the sound of his song.
What of poor faithful Jonny?
This was well written and halfway the excitement really got going. Since the story is an opera, I don't feel I can grumble about the ending. But all that same there are some things I'd have liked to end differently. I think Lothnar, however receives all he deserves in full.
G No swears or violence.
As with all the wonderful musical/operatic books I've read, The Voices Of Summer, The Phantom of the Opera and The First Violin, there's an element of tragedy, the kind where I'm not sure if it's just me feeling tragic or if there really is a tragedy.
The same feeling assaults me in The Composer. And yet, it's an excellent story that anyone who has enjoyed the other music books mentioned, will probably like.
The plot put simply:
Jonny, a young gentleman has fallen in love with a beautiful young soprano, and it's not because of her voice. He hasn't ears for music, it's just something he sees in her. (Wish I had seen it) Like a dog, he worships her.
Sarolta, the young soprano and Sady her friend both are being trained by a famous opera teacher, someone who is close with the musical genius of the century, Lothnar.
Lothnar, the genius, the mad composer, goes to this opera teacher and picks out a singer for his new production, Iphigenia. He picks Sarolta, she will be His Singer, His Reed to Pipe His Music.
Sarolta soars high, so few singers ever received Lothnar's approval.But what will it take to remain in his favor, when she is to play to the sound of his song.
What of poor faithful Jonny?
This was well written and halfway the excitement really got going. Since the story is an opera, I don't feel I can grumble about the ending. But all that same there are some things I'd have liked to end differently. I think Lothnar, however receives all he deserves in full.
G No swears or violence.
did-not-finish
October 18, 2021I like to read historical fiction "around" music. I loved e.g. The First Violin and Magic Flutes. But I just couldn't get involved in this one.
Nonetheless, I will try another book by the author someday.
Nonetheless, I will try another book by the author someday.
Displaying 1 - 3 of 3 reviews