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The Fatal News: Reading and Information Overload in Early Eighteenth-Century Literature

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What was information in the early eighteenth century, and what influence did the emergence of information, as potential physical and psychological threat, have on readers of the period? Recent scholarship in eighteenth-century print culture and in twenty-first-century media studies and theory offers a unique opportunity to reconsider how and why information is figuratively imagined during the eighteenth century as an abstract yet bodily entity that can flood, suffocate, and incapacitate readers. Focusing on 1678 to 1722 -- a period that experienced impressive innovations in communication -- this study reveals that the term information undergoes a significant transformation with social, cultural, and literary consequences. By investigating discussions of information and media that are evident in works by literary authors, the author finds that writers like John Bunyan, Aphra Behn, Jonathan Swift, and Daniel Defoe confront the idea of information overload and provide case studies in literacy reform that operate on institutional, generic, and consumer levels. For example, while in Defoe's Journal of the Plague Year information is infectious and citizens depend upon comets and phantoms to construct reader-controlled, decentralized media, in Swift's Tale of a Tub commonplace books and collections demonstrate a new type of organizational, or secretarial, impulse in society.

168 pages, Hardcover

First published November 28, 2005

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About the author

Katherine E. Ellison

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Dr. Katherine Elaine Ellison Patterson is Associate Chair of English at Illinois State University. She did her graduate work at Emory University, where she wrote her doctoral dissertation, "After the Fatal News Arrived: Reading and the Eighteenth-Century Media State" which she developed into Fatal News: Reading and Information Overload in Early Eighteenth-Century Literature, which was published by Routledge in 2006. She did her undergraduate at Indiana University-Purdue University at Indianapolis, where she served as president of the Film Studies Club and had her poetry and short stories published in its literary journal, Genesis.

She has written extensively on cryptography, Daniel Defoe, and James Boswell.

Her work has appeared in Journal for Early Modern Cultural Studies, Book History, Educational Research, Academic Exchange Quarterly, and Eighteenth-Century Fiction.

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