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Nikki Moustaki is the author of The Bird Market of Paris: A Memoir, as well as twenty-five books on the care and training of exotic birds. She holds an MA in creative writing, poetry, from New York University, an MFA in creative writing, poetry, from Indiana University, and an MFA in creative writing, fiction, from New York University. She has received a National Endowment for the Arts grant in poetry, as well as many other national writing awards. She splits her time between New York City and Miami Beach.
I like to think that I am a reasonably educated Western woman, but I am the first to note that some books are too difficult to read without help. Thus, for some books I also concurrently read the Cliffs Notes (the savior of high school literature students who merely skimmed through the book). And I would have been lost in a dark wood without this particular volume.
After some introductory material, the book has Summaries and Commentary on the Cantos (occasionally, when two Cantos are interrelated, taking them as a unit). The Summaries are very good in identifying all those whom Dante meets in Inferno (they are mostly Italian, and one cannot tell them apart without a scorecard); some shades also forecast the near future, since Dante backdated his Comedy to the year 1300, several years before the actually writing of the material. The Commentary also notes different interpretations of the text, and raises questions (Dante and Virgil normally travel to the left and down, but twice they go to the right and down; and in a late Canto, the concept of someone’s shade being in Inferno while that person’s body is still on Earth, unable to repent, raises deep theological problems).
Though this is a book that no one will be testing me on (I graduated from high school in 1976, and from college in 1980), I am grateful that the Cliffs Notes exist.