Lines long and short, biographical sketches in various rhythms, by Henry B. Fuller. 1917 [Leather Bound]

by Henry Blake Fuller

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2018 with the help of original edition published long back [1917]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - English, Pages 176. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete Lines long and short, biographical sketches in various rhythms, by Henry B. Fuller. 1917 Fuller, Henry Blake, -.

176 pages, Leather Bound

First published September 27, 2015

About the author

Henry Blake Fuller (January 9, 1857–July 28, 1929) was a United States novelist and short story writer, born in Chicago, Illinois.

Fuller's earliest works were travel romances set in Italy that featured allegorical characters. Both The Chevalier of Pensieri–Vani (1890) and The Châtelaine of La Trinité (1892) bear some thematic resemblance to the works of Henry James, whose primary interest was in the contrast between American and European ways of life. Fuller's first two books appealed to the genteel tastes of cultivated New Englanders such as Charles Eliot Norton and James Russell Lowell, who took Fuller's work as a promising sign of a burgeoning literary culture in what was then still largely the frontier city of Chicago.