Le Corbeau stands as the premier film about the German occupation of France. Judith Mayne's book analyzes the film's brilliant visual style and dark tone, and provides a guide to its many possible interpretations (in line with the period's "cinema of paradox").
This is a terrific critical analysis of “Le Corbeau” (“The Raven”), a classic ‘40s French film directed by Henri-Georges Clouzot (who later directed the masterpieces “Wages of Fear” and “Les Diaboliques”). In “Le Corbeau,” a small town is inundated with sadistic, poison-pen letters from the elusive (and seemingly omnipresent) ‘Raven.’ Typical of Clouzot’s work, it is a dark film with a pessimistic view of human nature. Before reading this, I had thought of “Le Corbeau” merely as a great mystery film, but Judith Mayne reveals its almost equally interesting context, one I hadn’t known about previously: it was produced by Continental Films, a Nazi-financed company that dominated French cinema during the Occupation. Mayne does a superb job of discussing the complexities and paradoxes of that time and place, and the film as a product of that era. She also provides interesting insights about the film itself and key themes; for example, how the film’s gender politics broke with tradition and could have influenced its reception. If you ever watch the movie: my favorite scene is the one with the globe and the swinging light. (originally written April 25, 2008)