Here Stephen Knight studies different kinds of highly popular crime fiction to show their social function, drawing on recent work in the sociology of literature, which has explained how stories both shape and ratify our response to the world.
Knight’s overarching argument is somewhat limited and limiting, and one is aware at times of a certain unstated contempt for the readers whose anxieties he presumes to analyze. However, when it comes to cases—particularly his readings of Doyle and Christie—Knight’s interpretations are invariably sound, if not always convincing.