Brazil on the Move

by John Dos Passos

John Dos Passos, the distinguished American novelist and historian has been personally interested in Brazil for the last fifteen years. He first visited the country in 1948, and returned again in 1956 and 1962. This book, which is based on his experiences in Brazil, presents the people and landscapes of a young country on the move.  Here you will find several extraordinary reports on Brasilia, first in the planning stage, second in the wildly frantic period when it was a half-finished group of buildings, and, finally, as it appeared to Mr. Dos Passos in the summer of 1962 when it was at last beginning to function as a city. Here, too, is the story of Brazil’s great road building program designed to unify the country, and of the political battles in this enormous country which totters on the verge of a Communist takeover. From traveling the length and breadth of the land and from interviewing all kinds of politicians like Carlos Lacerda and religious leaders like Bishop Sales, Mr. Dos Passos has been able to transmit some of the flavor of the most important of Latin American nations. Mr. Dos Passos himself is of Portuguese descent, and he speaks Portuguese as well as Spanish. He begins this readable and fascinating book with a much needed short sketch of the history of Brazil and how the Portuguese tradition differs from the Spanish in South America.

Genres: Brazil

205 pages, Kindle Edition

First published January 1, 1991

About the author

John Dos Passos was a prominent American novelist, artist, and political thinker best known for his U.S.A. trilogy—The 42nd Parallel, 1919, and The Big Money—a groundbreaking work of modernist fiction that employed experimental narrative techniques to depict the complexities of early 20th-century American life. Born in Chicago in 1896, he was educated at Harvard and served as an ambulance driver during World War I, experiences that deeply influenced his early literary themes. His first novel, One Man’s Initiation: 1917, and the antiwar Three Soldiers drew on his wartime observations and marked him as a major voice among the Lost Generation.
Dos Passos’s 1925 novel Manhattan Transfer brought him widespread recognition and introduced stylistic innovations that would define his later work. His U.S.A. trilogy fused fiction, biography, newsreel-style reportage, and autobiographical “Camera Eye” sections to explore the impact of capitalism, war, and political disillusionment on the American psyche. Once aligned with leftist politics, Dos Passos grew increasingly disillusioned with Communism, especially after the murder of his friend José Robles during the Spanish Civil War—a turning point that led to a break with Ernest Hemingway and a sharp turn toward conservatism.
Throughout his career, Dos Passos remained politically engaged, writing essays, journalism, and historical studies while also campaigning for right-leaning figures like Barry Goldwater and Richard Nixon in the 1960s. He contributed to publications such as American Heritage, National Review, and The Freeman, and published over forty books including biographies and historical reflections. Despite political shifts, his commitment to liberty and skepticism of authoritarianism remained central themes.
Also a visual artist, Dos Passos created cover art and illustrations for many of his own books, exhibiting a style influenced by modernist European art. Though less acclaimed for his painting, he remained artistically active throughout his life. His multidisciplinary approach and innovations in narrative structure influenced numerous writers and filmmakers, from Jean-Paul Sartre to Norman Mailer and Adam Curtis.
Later recognized with the Antonio Feltrinelli Prize for literature in 1967, Dos Passos’s legacy endures through his literary innovations and sharp commentary on American identity. He died in 1970, leaving behind a vast and diverse body of work that continues to shape the landscape of American fiction.

Reviews

[Lisa Schagerström · Rating 3 out of 5]

Sometimes one needs to turn the brain waves onto something that has nothing to do with ones current life or situation. John Dos Pasos travel musings in a Brazil on the move (1940s to 1960s) did just that. The intricate simplicity of Dos Pasos language is very enjoyable indeed. And it's quite interesting how a different time and a different country can seem so timely.