Jump to ratings and reviews
Rate this book
Rate this book
Giovanni Antonio Canaletto (1697-1768) is one of the most popular of all old master painters. His views of Venice and London are much celebrated and admired. Canaletto began his career as a scene-painter with his father and his early work, such as the Architectural Capriccio of 1723, reflects this training. Unlike most of his fellow artists, Canaletto was interested in depicting the world around him, but he was more than a mere recorder of the amazing scenery of Venice or of Georgian England. He had the power, in the words of one of his contemporaries, to paint so that "the eye is deceived and truly believes it is the real thing it sees", and his insight and technical skills were so dazzling that it was thought he must rely on some sort of optical apparatus. His first views of Venice were painted around 1725 for Stefano Conti of Lucca. Soon after he came into contact with Joseph Smith, British Consul in Venice, who was to become his most important patron. Through Smith's influence, he came to England between about 1746 and 1756 during which time he painted many London scenes including views of Westminster Bridge, Whitehall, the Old Horse Guards, St James's Park and Somerset House as well as views of Warwick Castle and Eton College.

Hardcover

First published October 1, 1994

21 people want to read

About the author

Christopher Baker

145 books7 followers

Ratings & Reviews

What do you think?
Rate this book

Friends & Following

Create a free account to discover what your friends think of this book!

Community Reviews

5 stars
6 (35%)
4 stars
9 (52%)
3 stars
2 (11%)
2 stars
0 (0%)
1 star
0 (0%)
Displaying 1 - 3 of 3 reviews
Profile Image for Tom Simpkins.
28 reviews13 followers
August 4, 2018
Great summary of some of the greatest pieces of landscape art ever
Profile Image for Mckinley.
10k reviews83 followers
April 29, 2011
Great book in this series which I would like to see more of.
Quickly and briefly does good job of describing work of artist.
In this case, city-scapes of Venice in early to mid 1700s. All positively composed - no drudgery of urban environment.
Displaying 1 - 3 of 3 reviews

Can't find what you're looking for?

Get help and learn more about the design.