Christian Metaphysics & Neoplatonism

by Albert Camus, Ronald D. Srigley (Introduction)

      Contemporary scholarship tends to view Albert Camus as a modern, but he himself was conscious of the past and called the transition from Hellenism to Christianity “the true and only turning point in history.” For Camus, modernity was not fully comprehensible without an examination of the aspirations that were first articulated in antiquity and that later received their clearest expression in Christianity. These aspirations amounted to a fundamental reorientation of human life in politics, religion, science, and philosophy. Understanding the nature and achievement of that reorientation became the central task of Christian Metaphysics and Neoplatonism . Primarily known through its inclusion in a French omnibus edition, it has remained one of Camus’ least-read works, yet it marks his first attempt to understand the relationship between Greek philosophy and Christianity as he charted the movement from the Gospels through Gnosticism and Plotinus to what he calls Augustine’s “second revelation” of the Christian faith.             Ronald Srigley’s translation of this seminal document helps illuminate these aspects of Camus’ work. His freestanding English edition exposes readers to an important part of Camus’ thought that is often overlooked by those concerned primarily with the book’s literary value and supersedes the extant McBride translation by retaining a greater degree of literalness. Srigley has fully annotated Christian Metaphysics to include nearly all of Camus’ original citations and has tracked down many poorly identified sources. When Camus cites an ancient primary source, whether in French translation or in the original language, Srigley substitutes a standard English translation in the interest of making his edition accessible to a wider range of readers. His introduction places the text in the context of Camus’ better-known later work, explicating its relationship to those mature writings and exploring how its themes were reworked in subsequent books. Arguing that Camus was one of the great critics of modernity through his attempt to disentangle the Greeks from the Christians, Srigley clearly demonstrates the place of Christian Metaphysics in Camus’ oeuvre. As the only stand-alone English version of this important work—and a long-overdue critical edition—his fluent translation is an essential benchmark in our understanding of Camus and his place in modern thought. 

Genres: Philosophy, Religion, Spirituality, Christianity

148 pages, Hardcover

First published February 1, 1985

About the author

Works, such as the novels The Stranger (1942) and The Plague (1947), of Algerian-born French writer and philosopher Albert Camus concern the absurdity of the human condition; he won the Nobel Prize of 1957 for literature.

Origin and his experiences of this representative of non-metropolitan literature in the 1930s dominated influences in his thought and work.

He also adapted plays of Pedro Calderón de la Barca, Lope de Vega, Dino Buzzati, and Requiem for a Nun of William Faulkner. One may trace his enjoyment of the theater back to his membership in l'Equipe, an Algerian group, whose "collective creation" Révolte dans les Asturies (1934) was banned for political reasons.

Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest, he came at the age of 25 years in 1938; only chance prevented him from pursuing a university career in that field. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation served as a columnist for the newspaper Combat.

The essay Le Mythe de Sisyphe (The Myth of Sisyphus), 1942, expounds notion of acceptance of the absurd of Camus with "the total absence of hope, which has nothing to do with despair, a continual refusal, which must not be confused with renouncement - and a conscious dissatisfaction."
Meursault, central character of L'Étranger (The Stranger), 1942, illustrates much of this essay: man as the nauseated victim of the absurd orthodoxy of habit, later - when the young killer faces execution - tempted by despair, hope, and salvation.

Besides his fiction and essays, Camus very actively produced plays in the theater (e.g., Caligula, 1944).

The time demanded his response, chiefly in his activities, but in 1947, Camus retired from political journalism.

Doctor Rieux of La Peste (The Plague), 1947, who tirelessly attends the plague-stricken citizens of Oran, enacts the revolt against a world of the absurd and of injustice, and confirms words: "We refuse to despair of mankind. Without having the unreasonable ambition to save men, we still want to serve them."

People also well know La Chute (The Fall), work of Camus in 1956.

Camus authored L'Exil et le royaume (Exile and the Kingdom) in 1957. His austere search for moral order found its aesthetic correlative in the classicism of his art. He styled of great purity, intense concentration, and rationality.

Camus died at the age of 46 years in a car accident near Sens in le Grand Fossard in the small town of Villeblevin.

Chinese 阿尔贝·加缪

Reviews

[Christian Proano · Rating 4 out of 5]

Very interesting analysis, particularly when he actually touches on Plotinus and Augustinianism.

The author poses that Christianity had no metaphysics but until it encountered gnosticism and neoplatonism... of course that completely ignores the Jewish background... however there is an interesting point, Christianity change it's outlook in the Mediterranean world, other studies would show that Jewishness reminiscent were maintained specially through the liturgical worship and eschatological perspective (Schmemann)... but the question arises, can the outlook still changed through the applications of thought systems yet retaining it's Eucharistic and liturgical essence?

I still think that the best way to appreciate this type of writings is by contrasting it with Yannaras' "On The Absence and Unknowability of God" and "Elements of Faith".

[Nenad Lukić · Rating 4 out of 5]

U eseju, Alber prolazi kroz rani razvoj hrišćanstva gledano sa grčkog stanovišta, od samog ranog jevanđelskog hrišćanstva, grčkog upoznavanja hrišćanstva kroz gnosticizam i Valentina, kroz neoplatonizam i Plotina, pa sve do Avgustina i njegovog poricanja Pelagija sa kojim hrišćanstvo postaje filozofija.

Realno gledano, pojma nemam šta sam čitao. Ima tu nekih pametnih ljudi definitivno. :)

[Elese · Rating 3 out of 5]

Worth reading, but obviously not as mind-blowing as his later work.