This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
Richard Chenevix Trench (9 September 1807 – 28 March 1886) was an Anglican archbishop and poet.
Known as Richard Trench until 1873 .
He was born in Dublin, Ireland, the son of Richard Trench (1774–1860) and the Dublin writer Melesina Chenevix (1768–1827). His elder brother was Francis Chenevix Trench. He went to school at Harrow, and graduated from Trinity College, Cambridge in 1829. In 1830 he visited Spain. While incumbent of Curdridge Chapel near Bishop's Waltham in Hampshire, he published (1835) The Story of Justin Martyr and Other Poems, which was favourably received, and was followed in 1838 by Sabbation, Honor Neale, and other Poems, and in 1842 by Poems from Eastern Sources. These volumes revealed the author as the most gifted of the immediate disciples of Wordsworth, with a warmer colouring and more pronounced ecclesiastical sympathies than the master, and strong affinities to Alfred Lord Tennyson, John Keble and Richard Monckton Milnes.