Set in a hotel bar in Montreal on Remembrance Day, Bolsheviki has World War I veteran Harry “Rosie” Rollins telling young reporter Jerry Nines about his experience in the trenches. Rollins recalls men pissing their pants, losing limbs, and planning a revolt against their officers. The character of Rosie Rollins is based on World War I veteran Harry “Rosie” Rowbottom, who was wounded at Vimy Ridge. Fennario taped an interview with Rowbottom in 1979 in the old “King Eddy” Hotel in Toronto over a bottle of Bushmills whiskey.
Rosie’s meandering monologue delivers a blistering de-glorification of war as it shifts back and forth between his wartime recollections and the present. The veteran’s clattering, fast-paced description of life—and death—on the Western Front reproduces the chaotic sounds and rhythm of battle. This cutting-edge drama, profoundly in opposition to conventional histories of Canadian troops in World War I, debunks every sentimental notion of duty, heroism, and nationhood.
“Birth of Nation” they called it on TV but I didn’t see nobody getting born just a lot of people dying so we could sit there on top of another shit hole of mud with Captain Rutherford still pushing for that DSO or the MC or the MCB or the YMCA with Triangles—just give him a medal will ya?
David William Fennario, (born David Wiper) is a Canadian playwright best known for Balconville (1979), his bilingual dramatization of life in working-class Montreal, for which he won the Floyd S. Chalmers Canadian Play Award. A committed Marxist, Fennario was a candidate for the Union des forces progressistes in 2003 and for Québec solidaire in 2007. He has been the subject of two National Film Board of Canada documentaries, David Fennario's Banana Boots and Fennario: His World On Stage.
His pen name, "Fennario," given to him by a former girlfriend, is from a Bob Dylan song, Pretty Peggy-O.
Interesting short play reflecting on a personal reflection of Canadian soldier involvement in World War I. This is told from the perspective of a reporter interviewing a war veteran to write an article. I particularly in enjoyed the supplemental material at the end of the play that provided commentary and sections of supporting documents to provide context for some lines within the play.