The book offers a defence of a mediatorial interpretation of the atonement, that is one in which Christ is held to have become as we are, so that he might on our behalf make peace with God. It is argued that such an interpretation is not one of a number of valid descriptions of Christ's saving work, but the normative redemptive account. The erosion of this classic view of the atonement can be explained partly by a number of developments that have taken place in theological thought during the past two hundred years. These include the emergence of a christology in which Christ's divinity is linked to his saving ministry; a new interpretation of Pauline theology in which issues of justification are held to be secondary to those of participation; a return to the more dualistic world-view of the Church Fathers; difficulties with the concept of divine judgement; and a culture of relativism in which a unified or coherent account of the atonement not only no longer seems possible, but is generally not even considered desirable. The book achieves its purpose by engaging critically with these various theological ideas. It is as much a clearing of the undergrowth from the foundations of soteriology as it is the construction of a coherent account of Christ Jesus as the one mediator between us and God. It goes on to consider the relation of such an account to the proclamation of the gospel and the response required of its hearers.
Alan Spence (born 1947) is a Scottish writer and is Professor in Creative Writing at the University of Aberdeen, where he is also artistic director of the annual WORD Festival. He was born in Glasgow, and much of his work is set in the city.
Spence is an award-winning poet and playwright, novelist and short-story writer. His first work was the collection of short stories Its Colours They are Fine, first published in 1977. This was followed by two plays, Sailmaker in 1982 and Space Invaders in 1983. The novel The Magic Flute appeared in 1990 along with his first book of poetry, Glasgow Zen. In 1991, another of his plays, Changed Days, was published before a brief hiatus. He returned in 1996 with Stone Garden, another collection of short stories. In 2006, The Pure Land, a historical novel set in Japan, was published by Canongate Books, and is based on the life of Thomas Blake Glover who is immortalised in the story of Madame Butterfly.