The Film Novelist is the first primer on writing film novels- whether you are a beginning novelist, a seasoned writer wanting to cross over into script/novel writing, or a creative writing teacher looking for proven ways to launch new writers. So, what is the difference between a screenplay and a film novel? Screenplays indicate solely what the audience is to see or hear on screen. Film novels are short, and take about as long to read as a feature film takes to watch. The description, dialogue, and narration of a film novel can simply be lifted out and used as the description, dialogue, and voice-over narration for a script. The author has devised a fifteen week program starting from a one-sentence pitch to the novel itself, which includes filming a scene from your script/novel. He grounds the discussion of early film novels, like The Maltese Falcon, Of Mice and Men , and The Misfits , to provide historical and theoretical background while detailing the practical, sequential approach for completing a short novel and script.
Well worthwhile reading, even for one who isn't a writer, though who is interested in learning more about the craft of writing in its various genres. There's a good chapter on writing film novels. Novels that are easily adapted to film. Steinbeck and Graham Greene as example. Also chapter three, Subtext. Generosity, think generous writing and generous reading.