Leon Garfield FRSL (14 July 1921 – 2 June 1996) was a British writer of fiction. He is best known for children's historical novels, though he also wrote for adults. He wrote more than thirty books and scripted Shakespeare: The Animated Tales for television.
Garfield attended Brighton Grammar School (1932-1938) and went on to study art at Regent Street Polytechnic, but his studies were interrupted first by lack of funds for fees, then by the outbreak of World War II. He married Lena Leah Davies in April, 1941, at Golders Green Synagogue but they separated after only a few months. For his service in the war he joined the Royal Army Medical Corps. While posted in Belgium he met Vivien Alcock, then an ambulance driver, who would go on to become his second wife (in 1948) and a well-known children's author. She would also greatly influence Garfield's writing, giving him suggestions for his writing, including the original idea for Smith. After the war Garfield worked as a biochemical laboratory technician at the Whittington Hospital in Islington, writing in his spare time until the 1960s, when he was successful enough to write full-time. In 1964, the couple adopted a baby girl, called Jane after Jane Austen, a favourite writer of both parents.
Garfield wrote his first book, the pirate novel Jack Holborn, for adult readers but a Constable & Co. editor saw its potential as a children's novel and persuaded him to adapt it for a younger audience. In that form it was published by Constable in 1964. His second book, Devil-in-the-Fog (1966), won the first annual Guardian Prize and was serialised for television, as were several later works (below). Devil was the first of several historical adventure novels, typically set late in the eighteenth century and featuring a character of humble origins (in this case a boy from a family of traveling actors) pushed into the midst of a threatening intrigue. Another was Smith (1967), with the eponymous hero a young pickpocket accepted into a wealthy household; it won the Phoenix Award in 1987. Yet another was Black Jack (1968), in which a young apprentice is forced by accident and his conscience to accompany a murderous criminal.
In 1970, Garfield's work started to move in new directions with The God Beneath the Sea, a re-telling of numerous Greek myths in one narrative, written by Garfield and Edward Blishen and illustrated by Charles Keeping. It won the annual Carnegie Medal for British children's books. Garfield, Blishen, and Keeping collaborated again on a sequel, The Golden Shadow (1973). The Drummer Boy (1970) was another adventure story, but concerned more with a central moral problem, and apparently aimed at somewhat older readers, a trend continued in The Prisoners of September (1975) republished in 1989 by Lions Tracks, under the title Revolution!, The Pleasure Garden (1976) and The Confidence Man (1978). The Strange Affair of Adelaide Harris (1972) was a black comedy in which two boys decide to test the plausibility of Romulus and Remus using one of the boys' baby sister. Most notable at the time was a series of linked long short stories about apprentices, published separately between 1976 and 1978, and then as a collection, The Apprentices. The more adult themed books of the mid-1970s met with a mixed reception and Garfield returned to the model of his earlier books with John Diamond, which won a Whitbread Award in 1980, and The December Rose (1986). In 1980 he also wrote an ending for The Mystery of Edwin Drood, unfinished at the 1870 death of Dickens, an author who had been a major influence on Garfield's own style.
He was elected a fellow of the Royal Society of Literature in 1985. On 2 June 1996 he died of cancer at the Whittington Hospital, where he had once worked.
‘The King in the Garden’ is about a girl called Abigail who finds a dirty old man in her garden. He’s covered in hair and brambles, he eats the grass on her lawn and tries to drink out of the fishpond, she finds him utterly disgusting. Her following and listening to the story of this disgusting hobo are interleaved with people in the court of Nebuchadnezzar, who carry on as if he’s there and not noticing he’s gone. Eventually, Abigail shaves and restores the hobo back to his old self and realises with shock it is Nebuchadnezzar, condemned to madness for his hubris, she leads him back to his palace.
Again, Garfield has added a child to add a different slant on the Biblical meaning. The emphasis is less that Nebuchadnezzar is being cursed but on how his madness and absence make no difference to the running of his country. When he comes back to his senses, he feels his country must have fallen apart but nothing of that kind has happened.
This religious cultures book by Leon Garfield is not something I would really recommend. It's about a little girl, Abigail, who finds a mad king, King Nebuchadnezzar, eating flowers in her garden. Throughout the book, she helps the king to return to his palace and find his way back to God. Although I did not really like this book, it had beautiful illustrations in it. They were so descriptive and real-life looking. And the way it showed the king being so big and Abigail so small, it kind of makes the point that no matter how big or small you are, you can use help from anyone that will give it to you. Even if that person is considerably younger/smaller than you. This book is different from the children's books that I am used to reading and I didn't really enjoy it all. I would not recommend this book for young children.