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Worlds Beyond the World: The Fantastic Vision of William Morris
A critical study of the fantasy fiction of William Morris, the author many believe to be the father of modern fantasy.
64 pages, Paperback
First published March 28, 1978
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About the author
Richard Mathews
54 books5 followersRichard Mathews was a distinguished publisher, educator, and champion of book arts whose career spanned decades at the University of Tampa Press. As Director, he published over 100 books, cultivating the Press’s reputation for excellence in contemporary literature, book arts, and regional history. A meticulous editor and designer, he combined a deep knowledge of printmaking with a passion for mentoring colleagues and students, inspiring countless individuals to appreciate the craft of bookmaking.
In 2008, Richard founded the Tampa Book Arts Studio, directing it until 2020. The studio preserved historical letterpress traditions and offered visitors hands-on experiences with 19th- and early 20th-century presses. His dedication extended to preserving historical typefaces, such as Frederic Goudy’s Companion, and producing rare works including Julius J. Lankes’ The Rich Mouse. Richard generously donated the studio’s extensive library of over 10,000 items, representing more than 600 presses, to UT’s Macdonald-Kelce Library.
Richard also transformed Tampa Review into an internationally recognized multi-genre journal, publishing writers such as Derek Walcott and Peter Meinke while nurturing emerging authors through programs like AWP’s Intro Journals Project. Over 34 years at UT, he taught courses in book arts, literature, poetry, Tolkien studies, and academic writing, providing students with hands-on printing and design experience.
In addition to his editorial and teaching work, Richard published poetry collections, including A Mummery and Numbery, and authored Fantasy: The Liberation of Imagination. His scholarship and artistry left an enduring mark on literature, publishing, and the university community, creating a legacy of passion, mentorship, and dedication to the art of the book.
In 2008, Richard founded the Tampa Book Arts Studio, directing it until 2020. The studio preserved historical letterpress traditions and offered visitors hands-on experiences with 19th- and early 20th-century presses. His dedication extended to preserving historical typefaces, such as Frederic Goudy’s Companion, and producing rare works including Julius J. Lankes’ The Rich Mouse. Richard generously donated the studio’s extensive library of over 10,000 items, representing more than 600 presses, to UT’s Macdonald-Kelce Library.
Richard also transformed Tampa Review into an internationally recognized multi-genre journal, publishing writers such as Derek Walcott and Peter Meinke while nurturing emerging authors through programs like AWP’s Intro Journals Project. Over 34 years at UT, he taught courses in book arts, literature, poetry, Tolkien studies, and academic writing, providing students with hands-on printing and design experience.
In addition to his editorial and teaching work, Richard published poetry collections, including A Mummery and Numbery, and authored Fantasy: The Liberation of Imagination. His scholarship and artistry left an enduring mark on literature, publishing, and the university community, creating a legacy of passion, mentorship, and dedication to the art of the book.
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