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Performance, rewriting, identity: Chantal Akerman's postmodern cinema
This study considers Akerman's cinema as the product of the convergence between different cultural and filmmaking traditions as well as epistemological and aesthetic investigations. The broad enters are mapped around key issues of postmodern the notion of performance, the concept of vision and hearing as sensory/phenomenological experiences (rather than cognitive) and the practice of "rewriting" previous texts.
295 pages, Paperback
Published January 1, 2000
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