In common with many, I find Paula Rego's work intense and disturbing. Therefore, even a comparatively slim, selective survey such as this can be almost overwhelming, taken over a short space of time. I wonder also if the miniaturised reproductions of paintings, prints and drawings do not both diminish the originals - of which I've seen comparatively few - and make them even more impenetrably enigmatic. But this is a good primer, and communicates well Rego's uniqueness and importance in contemporary figurative and narrative art.