Placing herself in the avid reader’s chair, Linda Wagner-Martin writes about women’s biography from George Eliot and Virginia Woolf to Eleanor Roosevelt and Margaret Mead, and even to Cher and Elizabeth Taylor. Along the way, she looks at dozens of other life stories, probing at the differences between biographies of men and women, prevailing stereotypes about women’s lives and roles, questions about what is public and private, and the hazy margins between autobiography, biography, and other genres. In quick paced and wide-ranging discussions, she looks at issues of authorial stance (who controls the narrative? who chooses which story to tell?), voice (is this story told in the traditional objective tone? and if it is, what effect does that telling have on our reading?), and the politics of publishing (why aren’t more books about women’s lives published? and when they are, what happens to their advertising budgets?). She discusses the problems of writing biography of achieving women who were also wives (how does the biographer balance the two?), of daughters who attempt to write about their mothers, and of husbands trying to portray their wives.
Telling Women’s Lives is the first overview of the writing and the history of biographies about women. It is a significant contribution to the reassessment of the work of the hundreds of women writers who have made a difference in our conception of what women’s stories--and women’s lives--have been, and are becoming. The book is a must read for anyone who loves reading biographies, particularly biographies of women.
Linda Wagner-Martin is the Frank Borden Hanes Professor of English and Comparative Literature Emerita at the University of North Carolina-Chapel Hill. Over a teaching career spanning 53 years, she taught at Wayne State University, Michigan State University, and UNC, while authoring and editing more than 55 books. Her work includes biographies of major literary figures such as Sylvia Plath, Ernest Hemingway, Toni Morrison, and Maya Angelou, along with studies like A History of American Literature from 1950 to the Present and The Routledge Introduction to American Postmodernism. After retiring in 2011, she continued publishing extensively. Wagner-Martin’s contributions have earned her prestigious awards, including the Guggenheim Fellowship, the Hubbell Medal for Lifetime Service to American Literature, and fellowships from the National Endowment for the Humanities and the Radcliffe Institute. She holds BA, BS, MA, and PhD degrees from Bowling Green State University, where she graduated magna cum laude with majors in English and minors in American History.