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Crying for a Dream: The World through Native American Eyes

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A powerful collection of text and full-color photographs that offers an intimate glimpse of Native American life.

• Includes rare photos and firsthand accounts of the sun dance, sacred pipe, yuwipi , and vision quest ceremonies.

• By internationally recognized ethnographer Richard Erdoes, author of Lame Seeker of Visions and Gift of Power .

How do you go about knowing a people? In this phenomenal combination of landscape, ceremony, individual portrait, and prose, Richard Erdoes brings forth the lesser seen world of the Native American experience and vision. With the aid of firsthand accounts collected during three decades of personal interactions with indigenous tribes, Erdoes chronicles the traditional rites, individual lives, and historical persecution of North America's indigenous peoples.

The images and words of Crying for a Dream represent Erdoes' finest work. His focus on the natural and sacred world of North America's indigenous peoples includes elements of the Sioux ceremonial cycle and portraits of native peoples from the plains, mesas, and deserts. The sun dance, sacred pipe, yuwipi, and vision quest are described by the author and his subjects and are illustrated with more than 70 photographs.

128 pages, Paperback

First published October 1, 1989

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About the author

Richard Erdoes

75 books40 followers
Richard Erdoes was an artist, photographer, illustrator and author. He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."

He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, the University of Applied Arts, Vienna.

He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States.

In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children. Erdoes also illustrated many children's books.

An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time.

Erdoes wrote histories, collections of Native American stories and myths, and wrote about such voices of the Native American Renaissance as Leonard and Mary Crow Dog and John Fire Lame Deer. In 1975 the family moved to Santa Fe, New Mexico where Erdoes continued to write and remained active in the movement for Native American civil rights.

His papers are preserved at the Beinecke Rare Book and Manuscript Library at Yale University.

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365 reviews24 followers
November 17, 2017
"Yo sólo tuve alucinaciones una vez. Tenía que regresar en avión a Nueva York el sábado al mediodía, así que mis amigos insistieron en celebrar una reunión especial para mí el viernes. No tomé más peyote que otras veces (en realidad, tomé menos), pero de pronto empecé a articular las palabras con torpeza, y mis movimientos se hicieron vacilantes, mi oído se agudizó y lo veía todo a mi alrededor en colores brillantes dorados. También olvidé todos mis cantos menos uno. Fue entonces cuando un caballo rojo me brindó su amistad. Lo vi, oí su relincho. Después del agua de la mañana, tuve que conducir 140 kilómetros hasta Pierre para tomar el avión, pero siempre estaba delante de mi coche de alquiler aquel caballo rojo. Yo sabía que en realidad no estaba allí, pero pisaba el freno y procuraba esquivarlo. Por último, abrí la portezuela y el caballo subió al coche conmigo. También me acompaño en el avión. En cuanto me senté en el avión, todas las canciones del peyote que había olvidado me vinieron a la mente y empecé a cantarlas, para asombro del resto de pasajeros. En el momento en que el avión tocó tierra en La Guardia, dejé de cantar, el caballo rojo desapareció y la magia se esfumó. Son los efectos de Nueva York"
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