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The Romantic Male Nude
What makes a male nude romantic, as opposed to merely erotic? The more obvious attributes might be soft focus, soft lighting, silk bedding, sylvan settings, roses, lace curtains, moonlight. Perhaps it is the look of a model, or the expression on his face; maybe it is the warmth of the embrace between two lovers, or the longing in a young man’s eyes.
Each of the images in this book, the first anthology to bring together a group of celebrated photographers to thematically celebrate romance in the male nude, stirs the imagination to create a story around it—a story of youthful yearning or an idyllic day, a story about the blossoming love between two men, or even about the rapport between a photographer and his model.
The photographers represented here—among them Reed Massengill, Kobi Israel, Tom Bianchi, Ed Freeman, David Vance, and Michael Childers—live and work in places as disparate as Israel, Guatemala, England, Cuba, Brazil, France, Hong Kong, Greece, Sweden, and Germany, in addition to the United States. Their diversity proves that romanticism flourishes everywhere in the world.
Each of the images in this book, the first anthology to bring together a group of celebrated photographers to thematically celebrate romance in the male nude, stirs the imagination to create a story around it—a story of youthful yearning or an idyllic day, a story about the blossoming love between two men, or even about the rapport between a photographer and his model.
The photographers represented here—among them Reed Massengill, Kobi Israel, Tom Bianchi, Ed Freeman, David Vance, and Michael Childers—live and work in places as disparate as Israel, Guatemala, England, Cuba, Brazil, France, Hong Kong, Greece, Sweden, and Germany, in addition to the United States. Their diversity proves that romanticism flourishes everywhere in the world.
160 pages, Hardcover
First published September 1, 2007
1 person is currently reading
16 people want to read
About the author
James Spada
36 books29 followersAs a thirteen-year-old kid in Staten Island, James Spada started the first Marilyn Monroe Memorial Fan Club. He produced four bulletins and one yearbook a year for four years, when he had to disband the club due to lack of money.
In college he founded EMK: The Edward M. Kennedy Quarterly, and worked as an intern in Senator Kennedy’s Boston office in 1970.
At 23 his first book, Barbra: The First Decade (The Films and Career of Barbra Streisand), was published. He followed that up with the authorized book The Films of Robert Redford. He went on to write illustrated coffee-table books about Streisand, Marilyn Monroe, Judy Garland and Liza Minnelli, Katharine Hepburn, Bette Midler, Shirley MacLaine and Warren Beatty, and Jane Fonda.
In 1987 his first non-pictorial biography, Grace: The Secret Lives of a Princess, became a major international bestseller. He followed that up with intimate biographies of Peter Lawford, Bette Davis, Barbra Streisand, and Julia Roberts.
His writing has appeared in Vanity Fair, People, Ladies Home Journal, Cosmopolitan, The New York Times Book Review, McCall’s, the Los Angeles Times, the London Sunday Express, and many other publications.
In 2010 his first work of fiction, Days When My Heart was Volcanic—A Novel of Edgar Allan Poe, was published.
In recent years he has become equally renowned as a photographer of the male nude. His first collection, Black & White Men, was nominated for a Lambda Literary Award as the Best Visual Arts Book of 2000.
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From "Black & White Men" published in 2000:
Over the past several years, Jim has also become known for his evocative black-and-white studies of the male nude. He has had three one-man exhibitions, most recently in January 2000 at the prestigious Gallery One at the New England School of Photography in Boston. "I've been taking pictures since I was a teenager," Jim says, "but it took a back seat to my celebrity books. Now I d like to be known as a hyphenate, a writer-photographer. Photographing people is very much like writing about them, except that I'm creating the portrait with light rather than words. Light is as much a subject for me as the model."
In college he founded EMK: The Edward M. Kennedy Quarterly, and worked as an intern in Senator Kennedy’s Boston office in 1970.
At 23 his first book, Barbra: The First Decade (The Films and Career of Barbra Streisand), was published. He followed that up with the authorized book The Films of Robert Redford. He went on to write illustrated coffee-table books about Streisand, Marilyn Monroe, Judy Garland and Liza Minnelli, Katharine Hepburn, Bette Midler, Shirley MacLaine and Warren Beatty, and Jane Fonda.
In 1987 his first non-pictorial biography, Grace: The Secret Lives of a Princess, became a major international bestseller. He followed that up with intimate biographies of Peter Lawford, Bette Davis, Barbra Streisand, and Julia Roberts.
His writing has appeared in Vanity Fair, People, Ladies Home Journal, Cosmopolitan, The New York Times Book Review, McCall’s, the Los Angeles Times, the London Sunday Express, and many other publications.
In 2010 his first work of fiction, Days When My Heart was Volcanic—A Novel of Edgar Allan Poe, was published.
In recent years he has become equally renowned as a photographer of the male nude. His first collection, Black & White Men, was nominated for a Lambda Literary Award as the Best Visual Arts Book of 2000.
-----------------------------
From "Black & White Men" published in 2000:
Over the past several years, Jim has also become known for his evocative black-and-white studies of the male nude. He has had three one-man exhibitions, most recently in January 2000 at the prestigious Gallery One at the New England School of Photography in Boston. "I've been taking pictures since I was a teenager," Jim says, "but it took a back seat to my celebrity books. Now I d like to be known as a hyphenate, a writer-photographer. Photographing people is very much like writing about them, except that I'm creating the portrait with light rather than words. Light is as much a subject for me as the model."
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