"Although we've gotten used to second-generation actors equaling or surpassing the accomplishments of their parents, the same hasn't happened with 2nd-generation novelists. Nonetheless there are a few . . . and added to their small number ought to be Kaylie Jones."— New York Times
Clara Sverdlow has been stalked by Niko Kamenski, her high school lover, for almost twenty years. A recently sober alcoholic in her mid-thirties, she has found happiness in a tenuous marriage to Mark, another recovering alcoholic. Yet the past lurks over them like a great shadow.
Clara’s father, Viktor, was a Russian political prisoner in Auschwitz. The guilt and horror he still carries with him are part of his daughter’s natural composition. Mark has his own demons—a brother dead from a drug overdose and connections to his hometown heavies, which he can’t seem to break free of.
Kaylie Jones is the author of four novels, including A Soldier's Daughter Never Cries and Celeste Ascending . She teaches in Long Island University's MFA Program in Writing.
Kaylie was born in Paris, France and attended French schools until she returned with her family to the U.S. in 1974. Her father was the novelist James Jones.
Kaylie began to study Russian as her third language at age 8, and continued to study the language and literature through her four undergraduate years at Wesleyan University and her two years at Columbia University’s School of the Arts, where she received her MFA in Writing.
Kylie Jones has published six books, the most recent a memoir, Lies My Mother Never Told Me. Her novel A Soldier’s Daughter Never Cries was adapted as a Merchant Ivory film in 1998.
Jones has been teaching for more than twenty-five years, and is a faculty member in the Stony Brook Southampton MFA in Creative Writing & Literature program and in Wilkes University’s MFA in Creative Writing program. She is the author of Speak Now and the editor of Long Island Noir. Her newest endeavor is her publishing imprint with Akashic Books, Kaylie Jones Books.
I somehow waited 16 years to read this book. Call it deferred satisfaction! I loved Celeste Ascending when I read it 16 years ago, bought Jones' next book, but just never felt it was the right time to dive in. I'm glad I finally opened it and took the ride because there are not many novelists who pull me in the way Kaylie Jones does. The narrative just goes smooth for me. I ended up finishing this book straight through in less than a day. There were disturbing elements about this one and I found myself wanting see more of the clash between Mark's new world and the guys in the old neighborhood.
very fast and entertaining novel from the 5 characters pov's, 1 per chapter sort of a thing. the idea is that our heroine, Clara, is all messed up because her parents are all messed up from being holocaust survivors, and Clara's high school boyfriend is all messed up because his polish immigrant parents are all messed up. then Clara meets Mark in re-hab and falls in love and has a baby, but the old hs boyfriend, Niko, has never stopped stalking her, and now Niko is rich from importing crank from mexico, so has time and money to REALLY stalk. i am not sure if the premise is valid, messed up parents make messed up children and the only way those kids can become 'normal' adults is to try really really hard and pray and do AA and have good luck. not sure about that, but very well written and great story and characters and descriptions of nyc, apartments, art studios, alpine california, apple orchards, old farm houses, burger stands.....i will read more Kaylie Jones.
Speak Now is a solid narrative about a woman who struggles with addiction, finds love with a fellow addict and is always seeking some kind of redemption.
A stalker from her past overshadows the book and eventually creates the penultimate moment. The latter part of the book is a bit predictable, which was disappointing as I didn't feel this way about Jones' writing for 3/4s of the book. A good read, not great.
At times, haunting and absorbing and full of life. It has some melodramatic moments, but I think that without the high drama, the book couldn't have successfully relayed a message. Maybe. Anyway, what's wrong with high drama? It is fiction. Worth reading, certainly.