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The Origin of the Buddha Image & Elements of Buddhist Iconography

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Two foundational texts, enhanced by a third, "The Nature of Buddhist Art," are concerned not only with providing a language for reading the artistic and linguistic symbols for Buddhism, but also show how these symbols are conducive to self realization, which is the aim of all sacred art. Providing a schema of what is of the utmost value in all the world's great spiritual traditions as they pertain to transforming the understanding life and the spiritual process, clear expositions on the significance of the most profound Buddhist symbols are offered, including the poses, the Lotus (the ground of manifestation), the Bodhi Tree (the Tree of Life synonymous with all existence), and the Wheel (the operation of principles). The portrayal of the "Kingdom of Heaven Within" in Buddhist etymology, iconography, and metaphysics is explored, and this whole cosmology—which would appear to be outward—is revealed to be located within the human heart itself. This work demonstrates that art is not solely for instruction or visual/mental pleasure, but intends to liberate the beholder from the restless activity that obscures reality and inhibits inner peace.

200 pages, Paperback

First published November 1, 2001

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About the author

Ananda K. Coomaraswamy

237 books178 followers
Ananda Kentish Coomaraswamy was a Ceylonese philosopher and metaphysician, as well as a pioneering historian and philosopher of Indian art, particularly art history and symbolism, and an early interpreter of Indian culture to the West. In particular, he is described as "the groundbreaking theorist who was largely responsible for introducing ancient Indian art to the West." (Wikipedia)

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Profile Image for Omkara.
19 reviews
March 23, 2024
A thought provoking delve into the history of the image of the buddha as we see it today. The paper was revolutionary at the time for having reconfigured common misconceptions regarding Buddhism.
Displaying 1 - 3 of 3 reviews