". . . a keen and brilliant critical account of Pasolini's films and writings . . ." ―Italica
"Rohdie's personal, idiosyncratic critical style is backed up by serious scholarly research, as the rich bibliography attests. This is one of the most original recent additions to the ever-growing literature on Pasolini." ―Choice
" . . . refreshingly personal and full of unpredictable tangents." ―Film Quarterly
Sam Rohdie has written a personal, wonderfully lucid account of Pier Paolo Pasolini's cinema and literature.
Another excellent account of Pasolini's film-making, writing and ideas. Draws a useful connection between Pasolini's valorising of peasant "irrationality" and Bakhtin's theory of the carnivalesque.
The book takes an almost mystical, certainly not entirely rationalised view of Pasolini, as befits it subject and as suggested by the title. The many martyred figures in Pasolini's films, the martyred Christ and the murdered Pier Paolo all merge into one, analysable but finally mysterious figure.