The/L Age of Confession/Âge de la confession

by Neil Bissoondath

In this illuminating essay, Neil Bissoondath explores the powerful influence exerted by narrative on the human psyche. Storytelling is a primary activity in the human experience. The stories that we tell ourselves, as well as those we hear from others, help to answer the question of who we are, "as individuals, as familial beings, as social beings." On a deeper level, stories are also subtle forms of confession. They reveal our dreams and desires, our fears and fantasies, our hurts and pleasures. Sifting through history, Bissoondath examines how governments, both totalitarian and democratic, have sought to control and to simplify narrative. Novelists, to different and contradictory ends, have used narrative as a sphere of exploration and discovery, where questions are numerous and answers are rare. Fiction, suggests Bissoondath, is a subtle, yet powerful narrative form, unsurpassed in its ability to confirm human complexity and to affirm human existence. Dans cet essai édifiant, Neil Bissoondath explore la puissante influence qu’exerce la narration sur la psyché humaine. Raconter des histoires est une activité primordiale dans l’expérience humaine. Les histoires que nous-mêmes racontons, de même que celles que nous entendons raconter par d’autres, nous aident à répondre à la question de savoir qui nous sommes « en tant que personnes, en tant que membres d’une famille, en tant qu’êtres sociables ». À un niveau plus profond, les histoires sont aussi une forme subtile de confessions. Elles révèlent nos rêves et nos désirs, nos peurs et nos fantasmes, ce qui nous blesse ou nous fait plaisir. Puisant des exemples dans l’histoire, Bissoondath examine comment les gouvernements, tant totalitaires que démocratiques, ont cherché à contrôler et à simplifier la narration. Les romanciers, quant à eux, ont utilisé la narration à des fins différentes et contradictoires comme une sphère d’exploration et de découvertes, où les questions sont nombreuses et où les réponses sont rares. Bissoondath suggère que la fiction est une forme de narration subtile mais néanmoins puissante, qui est sans égale dans sa capacité à confirmer la complexité des hommes et à affirmer l’existence humaine.

104 pages, Paperback

First published October 1, 2006

About the author

Neil Devindra Bissoondath, novelist, short-story writer, essayist (b at Arima, Trinidad and Tobago 19 Apr 1955). He attended St Mary's College in Port of Spain before emigrating to Canada in 1973, when he became a student at York University (BA 1977). After graduating, he began teaching English as a second language and French in Toronto. Bissoondath began writing short stories in the late seventies, and attended the Banff School of Fine Arts in 1983. He credits his uncle, author V.S. Naipaul, for providing inspiration. Bissoondath's first book, a collection of short stories called Digging Up the Mountains (1985), deals with feelings of cultural alienation, exile and domestic upheaval - themes he has continued to explore in his other writings. The book was a commercial and critical success, enabling Bissoondath to leave teaching for a number of years and devote himself to writing full-time. In 1995 he relocated to Québec City, where he teaches Creative Writing at Université Laval.
Bissoondath published a second collection of short stories, On the Eve of Uncertain Tomorrows, in 1990. Most of his fiction has taken the form of novels, beginning with A Casual Brutality (1988), set in the fictional Caribbean republic of Casaquemada. The Innocence of Age (1993) is the story of intergenerational tensions in an increasingly racist Toronto. Bissoondath's novels often focus on characters confronting their respective pasts. The protagonist in GOVERNOR GENERAL'S AWARD nominee The Worlds Within Her (1998) returns to her Caribbean birthplace in order to deliver her mother's ashes. In Doing the Heart Good (2002), an elderly anglophone Montrealer reevaluates his life after losing his possessions to an arsonist. The Unyielding Clamour of the Night (2005) deals with a young schoolteacher who leaves a privileged upbringing to encounter political, religious, and racial unrest in a fictional island state modelled on Sri Lanka.
Bissoondath's most controversial and best-selling book is Selling Illusions: The Cult of Multiculturalism in Canada (1994, rev. 2002). In this nonfiction work, Bissoondath criticizes the 1971 MULTICULTURALISM Act for emphasizing differences rather than similarities amongst the country's various ethnic groups. He argues that the country's multicultural policies, though well-intentioned, have only encouraged the isolation and stereotyping of cultural groups.