The Script-Selling Game is like having a mentor in the business who answers your questions and provides you with not only valuable information, but real-life examples on how to maneuver your way through the Hollywood labyrinth. While the first edition focused mostly on film and television movies, the second edition includes a new chapter on animation and another on utilizing the Internet to market yourself and find new opportunities, plus an expansive section on submitting for television and cable.
This was an easy to read and very helpful guide to the business side of screenwriting. I am definitely considering introducing it to my screenwriting classes. It may be one of the best breakdowns of loglines, synopses, and pitches I have come across. I loved the chapter on Industry Speak. And most importantly, I enjoyed the author’s presence and found her lacking the annoying smugness I find in so many film and screenwriting books.
This is a great resource for screenwriters but I realized I will stay in my lane: writing for articles, books, and sermons. There is legal terms needed to be known for even aspiring screenwriters; different personalities like "know-it-all" type of writers; and insight about entertainment attorneys, consultants vs. coverage, and informative information about agents, etc.
An excellent insight into what decision makers are looking for, what they don't want to see, and how to optimize a screenwriter's chance of being seen.