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Wheel and Come Again: An Anthology of Reggae Poetry

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This is an anthology to delight both lovers of reggae and lovers of poetry. The poems fuse reggae’s emotional immediacy, prophetic vision, fire and brimstone protest and sensuous eroticism with all the traditional resources of poetry.

216 pages, Paperback

First published June 1, 1998

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About the author

Kwame Dawes

120 books179 followers
Born in Ghana in 1962, Kwame Dawes spent most of his childhood and early adult life in Jamaica . As a poet, he is profoundly influenced by the rhythms and textures of that lush place, citing in a recent interview his "spiritual, intellectual, and emotional engagement with reggae music." His book Bob Marley: Lyrical Genius remains the most authoritative study of the lyrics of Bob Marley.

His 11th collection of verse, Wisteria: Poems From the Swamp Country, was published in January 2006. In February, 2007 Akashic Books published his novel, She's Gone and Peepal Tree Books published his 12th collection of poetry, Impossible Flying, and his non-fiction work, A Far Cry From Plymouth Rock: A Personal Narrative.

His essays have appeared in numerous journals including Bomb Magazine, The London Review of Books, Granta, Essence, World Literature Today and Double Take Magazine.

In October, 2007, his thirteenth book of poems, Gomer's Song will appear on the Black Goat imprint of Akashic Books. Dawes has seen produced some twenty of his plays over the past twenty-five years including, most recently a production of his musical, One Love, at the Lyric Hammersmith in London .

Kwame Dawes is Distinguished Poet in Residence, Louis Frye Scudder Professor of Liberal Arts and Founder and executive Director of the South Carolina Poetry Initiative. He is the director of the University of South Carolina Arts Institute and the programming director of the Calabash International Literary Festival, which takes place in Jamaica in May of each year.

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Profile Image for Fátima López Sevilla.
254 reviews22 followers
December 10, 2014
I've always said that I don't like poetry but that I go to music because of the lyrics, which I find a bit contradictory. Maybe the fact is that for me poetry has to be read aloud, recited, so its inner rhythm can surface.

That's why this book made so much sense to me. With pieces written almost phonetically, reflecting the authors and the people they wanted to give voice to, this is a book to read aloud, to recite, to feel the beats of.

It feels short, but the biographies at the end of it allows our to-read and wish lists to grow even more.
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