What do you think?
Rate this book
Siena, Florence, And Padua: Art, Society, And Religion 1280 1400. Volume II: Case Studies
These two volumes examine the artistic legacy of three cities that were major centers for the flowering of early Italian Renaissance art and civic culture, and they place the works of art within their social, religious, and cultural contexts. Volume I addresses such issues as the politics and economics of the cities; the major practitioners of painting, sculpture, and architecture; and the relation of art to religious belief. Volume II focuses on major works of art produced in Siena, Florence, or Padua or executed by artists associated with the three cities.
Paperback
First published February 1, 1995
About the author
Diana Norman
32 books148 followersLibrarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.
British journalist Diana Norman also writes as Ariana Franklin.
Born Mary Diana Narracott, she grew up first in London and then in Devon, where her mother took her to escape the blitz. At the age of 15, she left school, but with journalism in her background (her father had been a Times correspondent)and her hardy intelligence, the lack of formal education proved no barrier and by 17 she was n London, working on a local newspaper in the East End.
Headhunted at 20 by the Daily Herald, Norman became the youngest reporter on Fleet Street, covering royal visits, donning camouflage to go on exercise with the Royal Marines, and missing her 21st birthday party because she was covering a murder on the south coast. When she protested about this to the news editor, she was told: "Many happy returns. Now get down to Southampton." Diana Norman became, at twenty years of age, the youngest reporter on what used to be Fleet Street.
She married the film critic Barry Norman in 1957, and they settled in Hertfordshire with their two daughters. She began writing fiction shortly after her second daughter was born. Her first book of fiction, Fitzempress's Law, was chosen by Frank Delaney of BBC Radio 4's Bookshelf as the best example of a historical novel of its year. She is now a freelance journalist, as well as a writer of biographies and historical novels.
She died at the age of 77 on January 27, 2011. She was best known for her historical crime series featuring the 12th-century medical examiner Adelia Aguilar, written under the pen name of Ariana Franklin. The first book in the series, Mistress of the Art of Death, was published to critical acclaim in 2007 and won the Ellis Peters Historical Dagger award in the UK, as well as prizes in the US and Sweden.
Norman is survived by her husband, their daughters, Samantha and Emma, and three grandsons. Mr. Norman wrote a wonderful tribute to his wife.
• Diana Norman, writer, born 25 August 1933; died 27 January 2011
British journalist Diana Norman also writes as Ariana Franklin.
Born Mary Diana Narracott, she grew up first in London and then in Devon, where her mother took her to escape the blitz. At the age of 15, she left school, but with journalism in her background (her father had been a Times correspondent)and her hardy intelligence, the lack of formal education proved no barrier and by 17 she was n London, working on a local newspaper in the East End.
Headhunted at 20 by the Daily Herald, Norman became the youngest reporter on Fleet Street, covering royal visits, donning camouflage to go on exercise with the Royal Marines, and missing her 21st birthday party because she was covering a murder on the south coast. When she protested about this to the news editor, she was told: "Many happy returns. Now get down to Southampton." Diana Norman became, at twenty years of age, the youngest reporter on what used to be Fleet Street.
She married the film critic Barry Norman in 1957, and they settled in Hertfordshire with their two daughters. She began writing fiction shortly after her second daughter was born. Her first book of fiction, Fitzempress's Law, was chosen by Frank Delaney of BBC Radio 4's Bookshelf as the best example of a historical novel of its year. She is now a freelance journalist, as well as a writer of biographies and historical novels.
She died at the age of 77 on January 27, 2011. She was best known for her historical crime series featuring the 12th-century medical examiner Adelia Aguilar, written under the pen name of Ariana Franklin. The first book in the series, Mistress of the Art of Death, was published to critical acclaim in 2007 and won the Ellis Peters Historical Dagger award in the UK, as well as prizes in the US and Sweden.
Norman is survived by her husband, their daughters, Samantha and Emma, and three grandsons. Mr. Norman wrote a wonderful tribute to his wife.
• Diana Norman, writer, born 25 August 1933; died 27 January 2011
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 of 1 review
March 17, 2018
This book and its companion volume are the main learning materials for a long discontinued Open University (UK) course for, well, exactly what the title tells you.
I'm in no position to say whether or not the books stand on their own because I did the course but they are some of the best books produced by the OU in terms of text and, especially, illustrations. There are 316 in this volume, a good number of which are in colour. So, if you can get hold of them somewhere 2nd hand (you can't have mine!!!) at a reasonable price then go for them.
A word on how to read them: chapter 1 of volume 1, then chapter 1 of volume 2, and carry on that way. Volume 1 provides the context and then volume 2 goes a lot deeper and more detailed on specific objects or ideas.
And it doesn't take months do read the books, that's pretty much the course dates (if I've remembered the right year).
I'm in no position to say whether or not the books stand on their own because I did the course but they are some of the best books produced by the OU in terms of text and, especially, illustrations. There are 316 in this volume, a good number of which are in colour. So, if you can get hold of them somewhere 2nd hand (you can't have mine!!!) at a reasonable price then go for them.
A word on how to read them: chapter 1 of volume 1, then chapter 1 of volume 2, and carry on that way. Volume 1 provides the context and then volume 2 goes a lot deeper and more detailed on specific objects or ideas.
And it doesn't take months do read the books, that's pretty much the course dates (if I've remembered the right year).
Displaying 1 of 1 review