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Neuromancer (Sprawl, #1) Neuromancer by William Gibson
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Neuromancer Quotes Showing 1-30 of 161
“The sky above the port was the color of television, tuned to a dead channel.”
William Gibson, Neuromancer
“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts... A graphic representation of data abstracted from banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding...”
William Gibson, Neuromancer
“Things aren't different. Things are things.”
William Gibson, Neuromancer
“All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and still he'd see the matrix in his sleep, bright lattices of logic unfolding across that colorless void...”
William Gibson, Neuromancer
“His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.”
William Gibson, Neuromancer
“When the past is always with you, it may as well be present; and if it is present, it will be future as well.”
William Gibson, Neuromancer
“You needed a new pancreas. The one we bought for you frees you from a dangerous dependency.” “Thanks, but I was enjoying that dependency.”
William Gibson, Neuromancer
“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation.”
William Gibson, Neuromancer
“Night City was like a deranged experiment in social Dar-
winism, designed by a bored researcher who kept one thumb
permanently on the fast-forward button.”
William Gibson, Neuromancer
“We have sealed ourselves away behind our money, growing inward, generating a seamless universe of self.”
William Gibson, Neuromancer
“Lost, so small amid that dark, hands grown cold, body image fading down corridors of television sky.”
William Gibson, Neuromancer
“Don't let the little fuckers generation gap you.”
William Gibson, Neuromancer
“We monitor many frequencies. We listen always. Came a voice, out of the babel of tongues, speaking to us. It played us a mighty dub.”
William Gibson, Neuromancer
“A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he cut in Night City, and he'd still see the matrix in his dreams, bright lattices of logic unfolding across that colourless void... The Sprawl was a long, strange way home now over the Pacific, and he was no Console Man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like livewire voodoo, and he'd cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, hands clawed into the bedslab, temper foam bunched between his fingers, trying to reach the console that wasn't there.”
William Gibson, Neuromancer
“His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol.”
William Gibson, Neuromancer
“And in the bloodlit dark behind his eyes, silver phosphenes boiled in from the edge of space, hypnagogic images jerking past like a film compiled of random frames. Symbols, figures, faces, a blurred, fragmented mandala of visual information.”
William Gibson, Neuromancer
“Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.”
William Gibson, Neuromancer
“His vision crawled with ghost hieroglyphs, translucent lines of symbols arranging themselves against the neutral backdrop of the bunker wall. He looked at the backs of his hands, saw faint neon molecules crawling beneath the skin, ordered by the unknowable code. He raised his right hand and moved it experimentally. It left a faint, fading trail of strobed afterimages.”
William Gibson, Neuromancer
“Rain woke him, a slow drizzle, his feet tangled in coils of discarded fiberoptics. The arcade's sea of sound washed over him, receded, returned. Rolling over, he sat up and held his head.”
William Gibson, Neuromancer
“Case fell into the prison of his own flesh.”
William Gibson, Neuromancer
“INTO HER DARKNESS, a churning synaesthesia, where her pain was the taste of old iron, scent of melon, wings of a moth brushing her cheek. She was unconscious, and he was barred from her dreams.”
William Gibson, Neuromancer
“To call up a demon you must learn its name. Men dreamed that, once, but now it is real in another way. You know that, Case. Your business is to learn the names of programs, the long formal names, names the owners seek to conceal. True names . . .”
William Gibson, Neuromancer
“Cliches became cliches for a reason; that they usually hold at least a modicum of truth, and the following cliche is truer than most: You can’t know where you’re going if you don’t know where you’ve been.”
William Gibson, Neuromancer
“The Matrix has its roots in primitive arcade games,' said the voice-over, 'in early graphics programs and military experimentation with cranial jacks.' On the Sony, a two-dimensional space war faded behind a forest of mathematically generated ferns, demonstrating the spatial possibilities of logarithmic spirals; cold blue military footage burned through, lab animals wired into test systems, helmets feeding into fire control circuits of tanks and war planes. 'Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts... A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding...”
William Gibson, Neuromancer
“Something he’d found and lost so many times. It belonged, he knew – he remembered – as she pulled him down, to the meat, the flesh the cowboys mocked. It was a vast thing, beyond knowing, a sea of information coded in spiral and pheromone, infinite intricacy that only the body, in its strong blind way, could ever read.”
William Gibson, Neuromancer
“And the Flatline aligned the nose of Kuang's sting with the center of the dark below. And dove. Case's sensory input warped with their velocity. His mouth filled with an aching taste of blue. His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sounds of trains, suddenly sprouting a humming forest of hair-fine spines. The spines split, bisected, split again, exponential growth under the dome of the Tessier-Ashpool ice.”
William Gibson, Neuromancer
“You will come with us. We are at home with situations of legal ambiguity. The treaties under which our arm of the Registry operates grant us a great deal of flexibility. And we create flexibility, in situations where it is required.”
William Gibson, Neuromancer
“Power, in Case's world, meant corporate power. The zaibatsus, the multinationals that shaped the course of human history, had transcended old barriers. Viewed as organisms, they had attained a kind of immortality. You couldn't kill a zaibatsu by assassinating a dozen key executives; there were others waiting to step up the ladder, assume the vacated position, access the vast banks of corporate memory...”
William Gibson, Neuromancer
“Maelcum a rude boy," said the other, "an' a righteous tug pilot.”
William Gibson, Neuromancer
“Really, my artiste, you amaze me. The lengths you will go to in order to accomplish your own destruction. The redundancy of it! In Night City, you had it, in the palm of your hand! The speed to eat your sense away, drink to keep it all so fluid, Linda for a sweeter sorrow, and the street to hold the axe. How far you’ve come, to do it now, and what grotesque props. . . . Playgrounds hung in space, castles hermetically sealed, the rarest rots of old Europa, dead men sealed in little boxes, magic out of China. . . .”
William Gibson, Neuromancer

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