Paulo Fehlauer

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El discurso vacío
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  (page 69 of 208)
May 11, 2018 01:11PM

 
La novela luminosa
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May 11, 2018 01:09PM

 

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A Ocupação by Julián Fuks
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A Politico Da Nostalgia by Marcos Piaon Natali
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A Ocupação by Julián Fuks
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Paulo Fehlauer wants to read 35 books in the 2020 Reading Challenge
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A Ocupação by Julián Fuks
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Cancún by Miguel Del Castillo
Cancún
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Fantasmas. Imaginación y sociedad by Daniel Link
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História, Ficção, Literatura by Luiz Costa Lima
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Literaturas Indigentes Y Placeres Bajos. Felisberto Hernández... by Reinaldo Laddaga
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More of Paulo's books…
Margaret Atwood
“When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.”
Margaret Atwood, Alias Grace

Thomas Bernhard
“Instead of committing suicide, people go to work.”
Thomas Bernhard, Correction

Karl Ove Knausgård
“Now I saw his lifeless state. And that there was no longer any difference between what once had been my father and the table he was lying on, or the floor on which the table stood, or the wall socket beneath the window, or the cable running to the lamp beside him. For humans are merely one form among many, which the world produces over and over again, not only in everything that lives but also in everything that does not live, drawn in sand, stone, and water. And death, which I have always regarded as the greatest dimension of life, dark, compelling, was no more than a pipe that springs a leak, a branch that cracks in the wind, a jacket that slips off a clothes hanger and falls to the floor.”
Karl Ove Knausgård, Min kamp 1

Gesualdo Bufalino
“(...) compor meticulosamente o cadastro afetivo e o retrato fantástico-histórico de uma comunidade e de uma de suas remotas jornadas de meio século atras. E isso não com os instrumentos racionais, a ficha, o documento, o testemunho, caros ao arqueólogo do cotidiano, mas por meio de um sortilégio espontâneo de silhuetas que se esvaziaram gradativamente, uma depois da outra, numa parede: relicário de epifanias momentâneas, cinema de larvas dispersas; o insuficiente butim de um aprendiz de Noé que, depois do diluvio, para não esquecer o mundo, andasse a vasculhar os fosseis soterrados na areia (...)”
Gesualdo Bufalino, Museo d'ombre

W.G. Sebald
“Tudo parecia organizado da melhor forma possível, como se de fato o mundo constasse somente de palavras, como se assim o próprio horror fosse trazido para dimensões seguras, como se para cada aspecto de uma coisa houvesse um reverso, para cada mal um bem, para cada dissabor um prazer, para cada infelicidade uma felicidade e para cada mentira um quinhão de verdade.”
W.G. Sebald, Vertigo

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