Robert E. Howard Readers discussion
Kull & the Thurian Age
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November 2011 Group Read: The Shadow Kingdom
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http://gutenberg.net.au/plusfifty-a-m...
or here on WikiSource:
http://en.wikisource.org/wiki/Author:...


http://gutenberg.net.au/plusfifty-a-m...
or here on WikiSource:
http://en.wikisource.org/wiki/Author:..."
Thanks for the links, Jim. I was in a bit of a rush setting up :-)

;-)



;-)"
Much appreciation here too, Michael.




Isolated, he's not yet sure which of his Valusian advisers he can really trust, and he's deeply suspicious of the representations made towards him by Ka-Nu, the ambassador of the Picts, hereditary enemies of Kull's Atlantean forebears.
All of this is set in a decaying empire that feels like the last days of Rome or Byzantium - probably more the latter, as Valusia's ancient heritage seems to have congealed into a bewildering morass of ritual and tradition that not even the king can flout with impunity.
Then, Kull is let into the revelation that in Valusia (view spoiler)
Howard does such a good job of conveying the feeling of enormous gulfs of time past - Kull himself is set in an incredibly remote past - 100,000 years ago - but is king of a country so ancient that they can't remember all of their history, nor that of the ancient beings that bestrode the Earth before the rise of mankind.
I'm re-reading all of the Kull stories - one just isn't enough!


Of course, there are those that still expound the theory of a high civilisation in pre-history as a serious alternative to the mainstream of historical thought. For them, I guess Howard's Thurian and Hyborian ages, sans the supernatural, are conjecturally feasible.
The "gulfs of time" work especially well with Kull, I think, and with Howard's Cthulhu mythos works.






The Shadow Kingdom, Mirrors of Tuzun Thune, By this Axe I Rule! and Kings of the Night (which is more a Bran story). That’s about it. I very much enjoy the very short ones, especially the Gong one, by the are just small punctuations between the longer ones that help define the character.
The others, like Swords of the Purple Kingdom and The Skull and the Cat, while enjoyable, read like imperfect drafts. Also, incomplete drafts belong at the end of a book, not in between complete stories. They just enhance the feeling that REH was struggling with his character. In the end, he abandonned Kull for Bran, in Kings of the Night, probably because he couldn’t find the inspiration to complete such a great tale as his first effort, The Shadow Kingdom.

Books mentioned in this topic
Robert E. Howard's Kull (other topics)Future Shock (other topics)
The Shadow Kingdom is (if I remember correctly) set early in Kull's reign on the throne of Valusia and is full of court, and inhuman, intrigue.