One Flew Over the Cuckoo's Nest
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Book v. Movie
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Muffin
(last edited Aug 25, 2016 11:05AM)
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May 10, 2007 08:18AM

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Perfect example: "Out along the dim six-o'clock street, I saw leafless trees standing, striking the sidewalk there like wooden lightning, concrete split apart where they hit, all in a fenced-in ring. An iron line of pickets stuck out of the ground along the front of a tangleweed yard, and on back was a big frame house with a porch, leaning a rickety shoulder hard into the wind so's not to be sent tumbling away a couple of blocks like an empty cardboard grocery box. The wind was blowing a few drops of rain, and I saw the house had its eyes clenched shut and locks at the door banged on a chain."

I enjoyed both, but I do agree with what others have said- the feel of both is highly different- mostly really due to the complications of having a silent narrator in the book. I understand why they didn't do that to make the film, but as others have said the result is the focus shifts and stylistically makes it almost like another story. I read the book first and as much as I think the film good I prefer the book. The scene about Harding and the rabbits has remained in my heard for years afterwards, and the 'fog' moments too.



In the end, the film captures the spirit of the book, which is a significant achievement in itself.

I think the novel is, like many works from the time period, concerned with the loss of male power in society. Race is a very secondary consideration, though the idea of the subjugated Black male ego was not exactly new at the time. I don't think Kesey wanted to say anything in particular about blacks though, other than showing how a subjugated male outlets aggression by participating in socially sanctioned violence on those considered lesser or marginal. That, imo, trumps any disucssion of race in particular.

I love Hackman, and he probably would been great, but at the same time it's hard for me to imagine anyone but Jack in the role, even having rea the book.

Personally, I enjoyed both versions, although Kesey's complaints make sense.


I also read that Burgess wishes he weren't remembered primarily for A Clockwork Orange, but thus is the nature of things.



Perfect example: "Out along the dim six-o'clock street, I saw leafless trees standing, striking the ..."
I totally agree!
I read the book years after watching the movie, and had I read the book first, I would have been tremendously disappointed with the movie. As it is, I enjoyed both - though the book most.



True


When I first attempted to read the book, I was too young to appreciate it fully and the Chief's first person narrative was a tad bit too hallucinogenic for my young mind, but I gave it a few years of experimentation and growth and returned to Kesey's work. I hit pay dirt when I bought a copy of the the Viking Library edition which included criticism with the text. I have chewed that beast so many times the cover is worn and battered, the spine is barely hanging in there.
Kesey's prose is the stuff of reading magic. He spins so many fantastical elements into his manner of composition I am transformed by its charm and originality.
So I have to give it to the book. The movie is film greatness, truly. Long live Nicholson's MacMurphy. No one could give a cold stare like Louise Fletcher. But the book is magic, lightning caught in a bottle. The prose is so deliciously fresh and surprising. Thank you Ken Kesey for the gift.


I read book and I watched film. And I can´t compare it. For me, these two pieces are two different things and I like them both.







This was my favorite part in the movie too, it made me SO happy. I replay it at least five times and squeal with joy every time I watch it

I read in an article somewhere that before performing that scene, Jack Nicholson watched real EST patients undergo shock treatment, so he could get a feel for the reality of the procedure and get it just right. It worked!

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