Jane Austen discussion
Discussion - Persuasion 2010
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The Novel - The Second Part

One of my favorite parts of the book takes place in this part of the book. :)

That makes two of us. :P

You don't have to speed read! Some folks are further along and I just posted this part if they want to talk. My suggestion is don't read this part until you've read that part of the book - we will still be here!


I also like how the Musgroves praise Cpt. W for turning Richard into such a "correspondent" - which was something Cpt. W ordered/forced Richard to do! More "clean linen" as Karlyne says!
On the Musgroves and the poor son Richard, I also like that here we begin to see Frederick's character displayed to us. He patiently and kindly talks to Mrs. M about the son we all know would have been so troublesome. And Anne is still able to recognize what Wentworth is doing so quickly. So we really do see how connected the couple must have been in that first time they were together.
Why do I not think Austen's novels are mainly about romance and marriage? Because of scenes like these, that subtly just show us human beings more than anything. For example, Austen doesn't try to set up men as heroes. Here she just shows us what a decent guy Wentworth is, and that he is an ordinary man who is likeable because he knows how to respond to people. But throughout the book, we also see his faults of pride and resentment against Anne from the past, just like many any other humans would have too.
In ways, Persuasion is a very quiet book, but it is in the really quiet parts that so much is found.
Why do I not think Austen's novels are mainly about romance and marriage? Because of scenes like these, that subtly just show us human beings more than anything. For example, Austen doesn't try to set up men as heroes. Here she just shows us what a decent guy Wentworth is, and that he is an ordinary man who is likeable because he knows how to respond to people. But throughout the book, we also see his faults of pride and resentment against Anne from the past, just like many any other humans would have too.
In ways, Persuasion is a very quiet book, but it is in the really quiet parts that so much is found.

I absolutely agree as well. Austen always provides a wonderful romance to enjoy but we also know we will be treated to universal human traits, usually humorously presented. "Poor" Richard Musgrove seems like the proverbial example of, "There's one in every family."


Well stated Rachel. I do believe there is one in every family - just ask anyone. Most folks love to tell you about "that one!" ;-)
Karlyne wrote: "Hmmm. Just one?"
HAHA! You're right, Karlyne--some families do get more than their fair share!
HAHA! You're right, Karlyne--some families do get more than their fair share!


I emulate Anne in romantic entanglements that go astray and try to hope for the best for the once Beloved.(Unfortunately, I often fail in that attempt. Still Anne shines in my mind's eye as a great role model!)

I think Austen really portrayed the Musgrove sisters as non-threatening too. They are young, happy, innocent, and fully admit that the handsome, impressive Wentworth has totally turned their heads. They aren't scheming at all and they admit their admiration for Anne. I think there is something to this. Maybe Austen didn't want to add real rivals into the plot but as Karlyne pointed out -- distractions -- and definitely an obstacle as we'll see in part 3. Clever, that Austen woman!
One thing that fascinates me with this novel and really begins in this section of our discussion is the way Anne and Wentworth are so cautious and are so carefully reading each other. In ways we wouldn't likely find ourselves in this kind of setting as they did. Among friendly friends and family settings and given the chance to observe each other and I think they were both trying to find their way back to something. At this point, Anne believes Wentworth has truly given her up -- why would he have not returned when he had begun to see success in the Navy? But she wants something, some connection that shows they still have a heart for each other in some small way.
So soon in this novel, Chap. 7, he explains himself regarding the past with Anne. He "had never seen a woman since whom he thought her equal" but he had no desire to meet her again. On marriage, by this point in his life, he had "thought on the subject more than most men."
We don't know what will happen as the plot progresses, but we get to see exactly how it stands with these two as the story kicks off. From thereafter, on every page I wonder how these two will deal with each other. He quietly asks questions about Anne "does Miss Elliott never dance?" He wants to learn about her and her habits. Will she be dancing with other men? They both have to operate under social propriety too, along with their buried feelings.
So soon in this novel, Chap. 7, he explains himself regarding the past with Anne. He "had never seen a woman since whom he thought her equal" but he had no desire to meet her again. On marriage, by this point in his life, he had "thought on the subject more than most men."
We don't know what will happen as the plot progresses, but we get to see exactly how it stands with these two as the story kicks off. From thereafter, on every page I wonder how these two will deal with each other. He quietly asks questions about Anne "does Miss Elliott never dance?" He wants to learn about her and her habits. Will she be dancing with other men? They both have to operate under social propriety too, along with their buried feelings.

And isn't the rental of Kellynch and his ability to move freely and openly on the estate and in society there a vindication of sorts, from Jane Austen's viewpoint, of the snub he received when Anne rejected him at Lady Russell's urging? He is now officially a gentleman, even more, a hero having been to war. He is in a sense returning in triumph. I don't think his motives are vindictive, but perhaps at the very least, they are curious towards Anne. I guess my whole point is is that he wants to meet her again, and maybe, doesn't even admit it to himself. Jane Austen is so much about what you don't say and don't show, I can only speculate. :)

We also know that he had never told The Croft's about his engagement to Anne, so maybe he accepted their invitation to Kellynch so that he wouldn't have to reveal his past? I'm guessing that being rejected was a blow to his pride and not something he would have shared lightly.

She demonstrates this clarity of thought again towards the end of this section, when she handles Caroline Musgroves fall with calm authority whilst other flap about!
Yes, Birdie and Kim, I think the things you mentioned really add to the emotion, the setting and the behind-the-scenes (all that is not said, Birdie! I agree). Wentworth fits easily into the society in the villages there, as he would have before if not for class consciousness.
I also wonder if he had ever kept up to date by his brother who had been a curate there? I wonder if there had ever been "updates" on the family. And did he and the Crofts have any clue that the Elliot fortune had dwindled so? Maybe they suspected by the leasing of the Elliot estate.
That is interesting, Kim, that both Anne and Frederick had kept this piece of their past so close to heart and had not spoken of it, that we know of.
I also wonder if he had ever kept up to date by his brother who had been a curate there? I wonder if there had ever been "updates" on the family. And did he and the Crofts have any clue that the Elliot fortune had dwindled so? Maybe they suspected by the leasing of the Elliot estate.
That is interesting, Kim, that both Anne and Frederick had kept this piece of their past so close to heart and had not spoken of it, that we know of.


For Anne though I have 3 theories.
1) Nobody could find out to save her reputation maybe? I don't know how it was looked upon to be engaged once and not go through with the marriage.
2) Maybe she was embarrassed that she was "naive" to think that the marriage would work. (She would think herself naive because of the reasons she was told the marriage wouldn't work)
or 3) She was so heartbroken she didn't want anyone to know because she knows her family will have no sympathy for her? She'd rather deal with the heartbreak personally and keep it something private for herself.
Yes, Kim I agree about Wentworth's keeping it secret. It was such a blow to him --his pride still hadn't recovered -- we learn more later, right.
And I love your theories! All three could be Anne's reasoning, IMO. I am really with # 2 & 3. We believe Anne second-guessed her abilities for a while, didn't she? And who would listen in her crazy family?
And #1, Austen herself had lived through a broken engagement and maybe knew how people do talk!
Great discussion you folks :)
And I love your theories! All three could be Anne's reasoning, IMO. I am really with # 2 & 3. We believe Anne second-guessed her abilities for a while, didn't she? And who would listen in her crazy family?
And #1, Austen herself had lived through a broken engagement and maybe knew how people do talk!
Great discussion you folks :)

All this about the feelings of Anne and Wentworth on keeping quiet about their first engagement is extremely interesting to me--I wish Austen had included more details about that time!
A couple other things I want to mention:
Louisa's fall off the Cobb is I think a brilliant example of exciting plotting, character development, and exploration of theme all at once. It shows what good people Anne and Wentworth are, I never dislike Mary so much as when she insists on taking Anne's place to stay with Louisa, and it shows that maybe it's not a bad thing to be influenced by other people. Also, it provides long-lasting plot repercussions by bringing together Louisa and Benwick.
We also get our first glimpse of Mr. Elliot here. We have heard of him before but Anne first sees him here, and then they all find out who he is on the next page. Needless to say, another event with major plot importance!
A couple other things I want to mention:
Louisa's fall off the Cobb is I think a brilliant example of exciting plotting, character development, and exploration of theme all at once. It shows what good people Anne and Wentworth are, I never dislike Mary so much as when she insists on taking Anne's place to stay with Louisa, and it shows that maybe it's not a bad thing to be influenced by other people. Also, it provides long-lasting plot repercussions by bringing together Louisa and Benwick.
We also get our first glimpse of Mr. Elliot here. We have heard of him before but Anne first sees him here, and then they all find out who he is on the next page. Needless to say, another event with major plot importance!

And, again, who could Anne confide in? Lady Russell had already made her feelings very clear, Anne's father and sisters were uncaring, and her school friends were far away. She really had no one!
As far as Wentworth goes, what man who's just had his pride hurt terribly by the fiancee who doesn't believe in him, is going to tell anyone? If someone asked, I'm sure he'd have given a truthful answer, but Anne and Frederick had very few mutual friends who would have been likely to ask.
So, the broken engagement was likely a secret one because there just weren't enough people involved who cared about it and because there were very few people who even knew about the engagement to begin with!



A couple ot..."
Exactly Rachel.
And another reason to get very tired of Mary - she has no desire to take care of Louisa - she just wants to be the chosen one instead of Anne. Again, she is more concerned with her "place" and the proper recognition of her "status" than what Louisa might actually need or what she (Mary) might be capable of doing to help.

(I can see myself being cornered by Mary and my eyes slowly glazing over while I strive to be polite, all the while searching for some other hapless soul to hand her over to.)

Yes, I agree that's a low point. This is the very same Mary who left her injured little boy in Anne's care so that she could have an evening out! This determined claiming of her "place" is an echo of her insistence on taking precedence over her mother-in-law when they're in company. The "Elliot pride" indeed!


A villain through and through. :-)

Anne must have felt sorry for herself at some point, don't you think? Maybe her strength of character is more because she wouldn't allow her mind to dwell on that aspect.



Louisa's fall off the Cobb is I think a brilliant example of exciting plotting, character development, and exploration of theme all at once..."
I agree with you 100%. It is one of the most exciting events in all the work of Austen's. It can be safely called I guess on of the climaxes since many changes in characters and events take a new turn due to this.
I don't want to sound cruel but Louisa's fall off the Cobb is my favourite episode of this novel. It gives Wentworth the opportunity to realise that only the firmness of mind in a woman will not do but moderation or self control is necessary as well. That there must be a balance between practicality and passion which Anne possesses.


I think she puts up with them because she realizes that by not marrying Wentworth (or possibly anybody else) she will have to live with them for the rest of her life, so she tries to create as good a situation as she can.


I think she puts up with them because she realizes that by not marrying Wentworth (or possibly anybody else) she will have to live with them for the rest of her life, so she..."
I agree Robin. I think she is just trying to make the best of her lot and still somehow be as true to herself as she can be given the circumstances.

Karlyne, this was a nice post. Just wanted to point out a quote showing Anne's feeling that I had recently pondered at the end of chapter 4:
"She was assisted, however, by that perfect indifference and apparent unconsciousness , among the only three of her own friends in the secret of the past, which seemed almost to deny any recollection of it. She could do justice to the superiority of Lady Russell's motives in this, over those of her father and Elizabeth; she could honour all the better feelings of her calmness but the general air of oblivion among them was highly important, from whatever it sprung..."
also:
"her own sister, Mary, had been at school while it had occurred - and never admitted by the pride of some, and the delicacy of others..."
I think the key words here are indifference, pride, and delicacy. Her father and sister are not willing to drop their pride in admitting that Anne had been courted at such a young age while Elizabeth remains unmarried. They remain indifferent to any knowledge of it so that attention is always placed away from Anne. Lady Russell, on he other hand, is the one who respects her feelings and does not want to bring up any pain from the past.
This "general air of oblivion" is key here, I think. It is almost like it never had happened. Even she admits to "deny the recollection of it". Will this have any effect on Anne's perception of Captain Wentworth when he does arrive? Will she herself question any past involvement with him, like a forgotten dream?
Captain Wentworth arrives at Kellynch; Mary's son breaks his collarbone and Anne takes care of him so Mary can go to the dinner party to meet Cpt. W; Anne and Cpt. W meet again and are soon moving in the same social circle; the long walk to the Hayters, the trip to Lyme, the introduction of William Elliot; and Louisa's fall off the Cobb.
Discuss!