Q&A (and brownies) with J.J. Murray discussion
The Nitty Gritty of Writing
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character involvement
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I often use the "What If" scenario to building a character. I take a person and put her/him in a situation, and see what happens with them. The hope is they will grow over the course of the story.

Anyway, I base my characters off friends and people. so they are quirky and flawed but still awesome.

I don't like the basing my characters off of people I know, in fact I don't even like using names of people I know. When I was younger and I told my friends, I was a writer, they used to ask me all the time put me in your book. It became a problem especially if my character did something they didn't like.
I might use aspects or attitudes of a people I know, bit pieces, because things like that happen unconsciously when I am writing.


While I won't do anything illegal to better understand my characters, I will play the "what if" game with them. And I never...well, almost never, use people I know in my stories. I have put my daughter and one of her friends in one story. But they're secondary characters that are portrayed in a manner that's true to themselves. But I don't use names of family members, even though most of them don't really know about my writing.
Renee (from Renee and Jay) and Jonas Borum and Ruth (from Something Real) are based on real people. There's a lot of me in Peter (Original Love) and Jack (I'm Your Girl).
But other than them folks, my characters are hodgepodges of traits and lines I steal from other people in real life. I haven't been convicted of these thefts ... yet. I am such a sponge, but I believe you have to be a sponge to be a successful writer.
Absorb the people around you, and then wring them out onto the page.
But other than them folks, my characters are hodgepodges of traits and lines I steal from other people in real life. I haven't been convicted of these thefts ... yet. I am such a sponge, but I believe you have to be a sponge to be a successful writer.
Absorb the people around you, and then wring them out onto the page.

2. We always see each other differently and no two people are alike or see the same things.

I try to develop my characters more, so I have interview questions. I try to put myself in their brain and answer the questions as they would see it. I learned things about my characters I never thought about and I was able to write at least two vivid scene just by answering a question like someone is making you angry, why?
I know some real people (and y'all do, too) who are so out there that if you wrote about them, readers would find them unbelievable. Truth is stranger than fiction, right?
And yet, we create people in our writing from scratch sometimes who are more believable than real people.
We're magic like that. Nothing up our sleeves but dreams.
And yet, we create people in our writing from scratch sometimes who are more believable than real people.
We're magic like that. Nothing up our sleeves but dreams.

Since I like to write about assassins, and I don't know any, I have to get inside their heads to ask why? The interview will help with this.

To investigate my FBI character in a story, I visited the FBI Website and read the requirements of an agent and etc.
I like other people best. They give you the minutiae of their lives, the absolute purest forms of information.
I talked the ears off a dozen librarians for I'm Your Girl, and some of what they shared I could not put into print. Stuff even I didn't believe.
I talked as best as I could to Jar Man (from Something Real) while he listened to his Mason jar at the corner of Patterson and 14th Street. I couldn't keep up with his rants, sermons, and suddenly wise sayings. I couldn't have made him up out of my head in a million years.
Use the internet to find these people. They're out there ... in more ways than one.
I talked the ears off a dozen librarians for I'm Your Girl, and some of what they shared I could not put into print. Stuff even I didn't believe.
I talked as best as I could to Jar Man (from Something Real) while he listened to his Mason jar at the corner of Patterson and 14th Street. I couldn't keep up with his rants, sermons, and suddenly wise sayings. I couldn't have made him up out of my head in a million years.
Use the internet to find these people. They're out there ... in more ways than one.

I was not taken aback by what Rowling was talking about because, if I cannot feel or see what my character is seeing I can't tell the story.
So the question is how much of characters in your story is you? And at what length would you go to understand your character? Of course if it is illegal do not incriminate yourself.