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May {2010} Discussion -- A PASSAGE TO INDIA by E.M. Forster
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Charity
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May 15, 2010 07:23AM

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Without a huge dialogue and "part" in the story, I found Mrs. Moore was such a huge influence in the story, probably just so b/c of her "steadfast ethical codes" and her strong sense of self. And Fielding, definitely, a good guy, one I could relate to :)

It is disapointing, but perhaps therefore understandable that when Adela risks everything to fight against the tide and refuses to give evidence based on her doubts, that Dr. Aziz, rather than embracing her, is as embittered and vengeful as ever, even to the risk of his friendship with Feilding.

Yes, I was disappointed in that reaction also, hoping for a better ending to the incident. But given the amount of prejudice he had experienced and witnessed, found it quite understandably human.

That is, indeed, the outstanding question in this story. My only conclusion is that with the heat and her confusion and fatigue at the time, she just swooned and had an hallucination. I never saw any evidence that she was truly ill in any way that would have caused the incident. Interested if anyone picked up something I didn't here......
What do you think Forster was trying to say with the choice of such an unexplained hallucination causing such a tragic turn of events? Do you think his message was that the prejudice was so rampant at the time, that it didn't even require a REAL societal error or even misdemeanor to set a tragedy in motion between the two races? That was my take. If he had explained the cause, it would have taken some of inevitability out of the story.

Perhaps Forster didn't want to make it clear one way of another exactly what happened to leave some doubt in our minds. If he cleared it up, case closed - we wouldn't spend so much time thinking about the issues in the novel once we had finished it.
Also, I think it puts us into the same mindset as Adela when she expresses her uncertainty in the courtroom. Adela is still not completely convinced that she was not attacked, but felt there was 'reasonable doubt' enough that she couldn't condemn another human being. This is the very foundation of the western legal system that the British forget in their hurry to criminalise Aziz.

Perhaps Forster didn't want to make it clear one way of another exactly what happ..."
Yes, Amanda, well said.



I think Adela's accusing Dr Aziz is largely a product of her having met Miss Derek on her way down from the caves. What I felt was that Adela was induced to think she had been assaulted, and immersed in the British community, with their high disregard for Indians living or dying, she allows Mr Turton and Heaslop to make an example case out of Aziz. I think seeing Aziz in court she may have realized what was really at stake and probed her own conscience and memory of the event.
It is interesting how the British women in Chandrapore despise Adela until she becomes a victim and is useful for the community to join together to defend their cause. What is at stake here is the British imperial machinery and its perverse use of human beings, both Indian and British.

This book by E.M.Forster lacks the drama of the Noli/Fili novels but there are similarities. India here would be Rizal's Spain; the Englishmen, Rizal's Spaniards; and the Indians, Rizal's Indios (the natives of the Philippine Islands). Similar characters are also found in these novels. Mr. Forster's "Mr. Fielding" is an Englishman who is sympathetic with the Indians and there are several characters like him in Rizal's novels. A Passage to India has one character who gets confused whenever there are both Englishmen and Indians around. Similarly, Rizal's novels have the mestizos, and even those just given some minor positions in the Spanish government, with the same ambiguous allegiance. Of course, there are characters in opposite extremes: colonizers who see nothing good about the natives and enslave the latter as if they were doing it as a big favor; and the natives who have the same unqualified distaste about the colonizers. Both Rizal and E.M.Forster--in their novels--likewise did not give any definite conclusion as to how to solve the problems that colonialism brings to occupied territories.
What is unique here, however, is that while Rizal looked at everything from the eyes of the enslaved, E.M.Forster, an Englishman, saw it from the eyes of the colonizers themselves. And he saw very differently from the rest of his countrymen.
In one scene, a court trial is about to start. An Indian doctor was wrongfully accused of a crime allegedly committed against an Englishwoman, Adela. Inside the courtroom, the judge was there, the chief of police, the lawyers and some bigshots from both the English and Indian communities. Through Adela, however, Mr. Forster zeroed in not on any of these people, but on one inconspicuous Indian native and saw him as a god:
"The Court was crowded and of course very hot, and the first person Adela noticed in it was the humblest of all who were present, a person who had no bearing officially upon the trial; the man who pulled the punkah. Almost naked, and splendidly formed, he sat on a raised platform near the back, in the middle of the central gangway, and he caught her attention as she came in, and he seemed to control the proceedings. He had the strength and beauty that sometimes come to flower in Indians of low birth. When that strange race nears the dust and is condemned as untouchable, then nature remembers the physical perfection that she accomplished elsewhere, and throws out a god--not many, but one here and there, to prove to society how little its categories impress her. This man would have been notable anywhere: among the thin-hammed, flat-chested mediocrities of Chandrapore he stood out as divine, yet he was of the city, its garbage had nourished him, he would end on its rubbish heaps. Pulling the rope towards him, relaxing it rhythmically, sending swirls of air over others, receiving none himself, he seemed apart from human destinies, a male fate, a winnower of souls. Opposite him, also on a platform, sat the little assistant magistrate, cultivated, self-conscious, and conscientious. The punkah wallah was none of these things: he scarcely knew that he existed and did not understand why the Court was fuller than usual, indeed he did not know that it was fuller than usual, didn't even know he worked a fan, though he thought he pulled a rope. Something in his aloofness impressed the girl from middle-class England, and rebuked the narrowness of her sufferings. In virtue of what had she collected this roomful of people together? Her particular brand of opinions, and the suburban Jehovah who sanctified them--by what right did they claim so much importance in the world, and assume the title of civilization?"
I would have loved this novel more had E.M.Forster been executed by a firing squad also after writing this novel, like what the Spaniards did to Jose Rizal.


Yes, her influence on Adela and all that follows is significant and should not be ignored in interpreting Forster's message in the novel.

A revealing comment about the English and who they really are is the fact that they will return home to domestic suburbia. In India they are someone at home they are nine to five suburbanites. The English rule the waves with ignorance and boredom.

But Forster gives another possible explanation. The British favored Muslims over Hindus simply because they were more comfortable with monotheistic Muslims.
Professor Godbole's speech about shared guilt and the coexistence of good and evil was masterful. Did the British audience read it as proof of the inscrutability of the eastern mind? Or do they see the narrowness of western thought?

Peters mentions that unmarried British women traveled to the colonies to try their luck at finding husbands. Egypt is preferred over India because of proximity to Europe and England.
Only women who were unsuccessful in Egypt went on to England. Thus, the women in India tended to be plainer, more stupid and poorer than the ones who had the option to marry in less remote places.
This explains the acute racism and class consciousness of the women in the novel. The lower on the social rung, the more important it becomes to keep other people lower on the social ladder.
[Aside: An Indian friend told me that the concept of dowries was imported to India from England.]
Because of their jobs, the men had more day to day contact with Indians. They had more sympathy, but were held back by the women. Racial divisions worsened over time, as more women joined the men in colonial India.
Forster didn't explain the strategic importance of this region of India to the English. I am currently reading Liquid Jade The Story of Tea from East to West. Beatrice Hohenegger traced the English balance of trade with China due to the English love of imported tea and silks. The Chinese would only accept gold and silver in payment and the English lifestyle was bleeding their treasury dry.
They had to find an alternative source for tea and something that the Chinese would accept instead of gold and silver. Thus, the British grew tea for English consumption and opium poppies for Chinese trade.
The British also imported plantation workers from southern India, who tended to be Hindus. Before that, this valley was predominantly Muslim. That also played a part in the prejudice against Hindus in the story.
It's rather unsavory. Forster must have been aware of all this. Does anyone know if the omissions were due to censorship, pressure from publishers or if it was assumed that the reading public would already know this?

It was certainly the women who seemed the most racist, but perhaps this is more easily understandable. They are kept more isolated from the more educated and skilled Indians - only really having contact with their servants. I wonder how differently they would have treated non-Indian domestics? Women of this era were lower of the social heirarchy and as someone else mentioned, perhaps this led them to wanting to ensure others, in this case Indians, were kept lower.
I think this is a pretty standard description of British colonial life and oen which prevailed for many decades after this novel was written, in various parts of the world.
On the matter of the accusation directed at Aziz and the incident which did or did not happen. I tend to agree with Lauli, I think Miss Derek had a lot to do without, possibily unknowingly. Adela was obviously confused and upset when she bolted down the ravine through the cactus - perhaps Miss Derek assumed something awful had happened and Adela just accpeted that. Before she knew the story was out and she couldn't take it back - she convinced herself it was true.
Overall I thought it was an insightful view of British-Indian relations in the 20's, as well of attitudes towards caste and religion between Indians and in the eyes of outsiders.

basically, racism is an insanity koolaid that everyone's drinking. the sane people end up dead or shunned by both sides.
I do think the question of what actually happened was left intentionally very vague. perhaps because this isn't a story about plot, but about human interactions and perceptions. if everyone's perceptions of a whole other race are so dead wrong, how can one small person's perception of one hour be accurate?
but if we have to make a call, no nothing happened to her other than an awful hallucination. she does say several times, "he never even touched me," though nobody listens.

I agree with the supposition that Miss Derek had a lot to do with Quested's accusation getting made. I went back and re-read that section a few times and I think it also had a lot to do with her state of mind just as she was entering the cave. Remember, she had been mulling over the fact that she was marrying Ronny for the wrong reasons (convenience? money? anyway, definitely not because she cared about him) and was pondering whether or not she could or should break it off, mostly because she feared others' reactions to the news. Also, she had just been talking to Aziz about his wife (or, as she ignorantly assumes, wives). I think when she entered the cave, a physically disorienting place, all this mental strain combined with the disorientation and unhinged her a little. Maybe some part of her figured if she was "sick" she would have an excuse to break the engagement and save face. So she ran down the hill to Miss Derek's car and probably made some incoherent comments about the caves, Aziz and his multiple wives (an assumption he did nothing to correct, even though he was deeply offended by it), and being scared and not feeling well, and Miss Derek immediately jumped to the conclusion that Aziz himself was the cause of her illness, and Miss Quested, still unhinged, did nothing to dissuade her, probably again thinking in the back of her mind that this would be an even better excuse to break off the engagement (now that she's a "ruined" woman or something). But of course all the racial tension causes all hell to break loose and eventually Miss Quested can't live with the guilt, especially after Mrs. Moore upbraids her for it. (As an aside, I liked how the "echo" from the caves became Quested's conscience.) That's all speculation of course, but it seems like a likely explanation.
Though this was an interesting novel and I enjoyed pondering its implications, I would also agree with the comment about getting "lost in the words" in this novel. Even aside from all the soliloquies about religion, mythology, and racial tension, it was just downright hard to follow the action sometimes. Characters are referred to by different names, sometimes within the same sentence, and it's not always clear which character is speaking in the dialogs. I suppose that was meant to contribute to the general feeling of "muddle."

I do think that the prejudice was such that from the moment she ran out of the cave - alone - Aziz was convicted. She was turned around. Had she gone directly to Mrs. Moore at the camp she could have taken a moment and recovered. Of course Mrs. Moore would have told her how preposterous it was to assume something, when she hadn't even been touched.
I concur, getting lost in the words happened repeatedly. I was very frustrated at the narrowmindedness of characters from all sides of the story. Honestly by the last section I was tired of the whole thing. I was exasperated by the ignorance and total breakdown of communication between those who attempted to sincerely "bridge" the gap.
Erica, the names drove me nuts too. I couldn't keep the characters straight. Perhaps that was the point to remain 'muddled' because everyone was tiptoeing around each other and refusing to understand the customs of the other.
Was Mrs. Moore such a threat that she had to be killed off. I don't think she would have testified, but I do think Ms. Quested should have left with her. She knew Aziz wasn't the culprit. In fact, she could never say definately whether anyone touched her.

Celeste, yes, i think Mrs.Moore's calm rationality was indeed too much of a threat to the irrationality of the plot that she needed to be out of the picture permanently of the trial and its aftermath.
Erica, i don't think Adela was either marrying Ronny for shifty reasons nor was she trying to break the engagement by any means possible. they'd met each other back in the day in england, they were of the correct social class to match each other, and it just seemed like the proper thing to do. certainly not a marriage of romantic love, but very much one of practicality and propriety. in many ways, it's as much of an arranged match as Aziz and his wife had. did miss derek have anything to do with the accusations? quite possibly - she is prone to lots of inappropriate blabbering about her employers, so no reason for her not to trash-talk anyone else. but maybe she just happened to be in the right place at the right time, and the idea of immediately fleeing in a good british car was infinitely more appealing to the traumatized Adela than an hours-long trek on an elephant. plus, the girl was stabbed by about a billion thorns and in quite a bit of pain, so she's very much not thinking rationally when she hops in that car.

Michelle, I think you're getting closest to the book's core message. Not only does racism exist equally between English and Indian, though, prejudice exists throughout society. Although the most obvious prejudice existed between the races, there was a good share of prejudice based on religion, class, sex, and even time spent in India!
I think the end of the book summed up the message pretty clearly. Fielding and Dr. Aziz shared a real love for each other and tried hard to be true friends, but it wasn't possible. Why? Because prejudice is built into human societies. Even if you don't personally feel any prejudice toward a group of people, you can't live with others without being influenced by their prejudices. Fielding and Dr. Aziz were completely surrounded by overwhelming prejudices and their ongoing friendship had as much chance of success as that of a black man and a white woman in 1890's Alabama.
Although I understand and agree with those that find the acts of discrimination in A Passage to India repulsive and abhorrent, I think it's important to face the fact that prejudice and discrimination are built into our genes. It's part of being human. So the questions to ask are: How should we deal with something that is ingrained in us and often results in great evil? How do we react to the prejudices that are a part of the society we live in? Are we so deep-rooted in our society that we even recognize our own prejudices?

One of my favorite/saddest scenes is at the end of the novel, where Aziz and Fielding are saying good-bye and Fielding remarks to Aziz that he so badly wants to be friends and Aziz tells him that they cannot until the English pull out of India. Forster was so ahead of the times and what he said was so true.
I'm letting the book sink in, it definitely is not one of my favorites, but I definitely loved the message that it sent.

The scene that stood out for me was early in the book when Ronny and his mother are talking about how the English should behave in India and Ronny says that they're not in India to be "pleasant."
"what do you and Adela want me to do? Go against my class, against all the people I respect and admire out here? Lose such power as I have for doing good in this country because my behavior isn't pleasant?... We're not pleasant in India, and we don't intend to be pleasant. We've something more important to do."
It just shows the total lack of respect for the country, and the hypocrisy, because, of course, they expect the Indians to be "pleasant."

Thanks
C.


yes thank you.


I found the characters in this novel incredibly real and vivid, but the plot seemed almost allegorical. I do think that Forster has a way with the telling moment, such as when Aziz is criticized behind his back for his lack of collar stays, when in reality he had helped Fielding out by letting him borrow them. An Indian simply can't win when dealing with the English.
Maybe it's just good hindsight, but it's pretty clear to me that Forster knew that the British colonization of India was going to end soon. I wonder if many of his contemporaries felt the same way. The novel struck me as highly political, and I was intrigued by the idea that the British created a united India, giving an otherwise divided People a common cause against the British.

It feels dated and I have trouble imagining the lives. Yet this is my excuse for finding it difficult I have difficulty with the purpose of the book. It points out some facts about characters and prejudice and life but it is a boring story. It is good that Adela does not save her admissions of confusion till the end and reveals this early as I think the part after the trial becomes a little more engaging.
This is a glass half full kind of book there is really no purpose in life and while valid it does not uplift. It is less uplifting than the road which writes out all life.
I have taken an enormous time to read this book due to life circumstances. Perhaps this clouds my judgment.