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What do you love most about bodice rippers?
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Jennefer
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Mar 26, 2010 11:25AM

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Sometimes, for the indomitable heroines like Skye OMalley when it's not producing bratty ones and disturbingly passive heroines (e.g. Heather from FLAME & FLOWER)
Definitely the broad panorama of where the story unfolds. If it's confined to only two continents, it was unambitious. LOL And the delicious OTT drama of annoyingly proud people doing sometimes stupid things! Can't get enough of it.
And I love the un-PCness that was standard. I don't like to be reminded what century I'm living in when I read a book, and these old ones completely transport me. When modern sensibilities get transferred to an earlier century, it totally ruins the mood. The BRs weren't afraid to delve into thorny topics like slavery.
I'm pretty much an "anything goes" kind of reader, and the BRs certainly deliver.
And I love the un-PCness that was standard. I don't like to be reminded what century I'm living in when I read a book, and these old ones completely transport me. When modern sensibilities get transferred to an earlier century, it totally ruins the mood. The BRs weren't afraid to delve into thorny topics like slavery.
I'm pretty much an "anything goes" kind of reader, and the BRs certainly deliver.

It's interesting to see how slavery is treated as romance has changed, at least in terms of advertising. I have 2 editions of Harvest of Desire. The 1977 back cover highlights the evil dysfunction of the plantation system, while the mid-80s one calls the heroine's plantation a "gracious empire." And I was looking at Lilac Seduction from 1992 last night where an antebellum tobacco plantation sounds like a Disney paradise.
It'd be interesting to know just what started the trend to sweep the ugly stuff of history under the rug in romance. A demand for "undemanding" romance? "Don't make me feel uncomfortable about my country"?
Like you, Danielle, I prefer characters to be anti-slavery. Probably another reason why I liked The Black Swan so much. Adam helps slaves escape (not out of ideals, granted, but personal revenge), and Dulcie has an awakening about the evil that puts money in her family's pocket. I don't demand the MCs have to have anti-slavery views, though. Usually there's a strong supporting character who fills that role ably. Even though it's not a BR, I'm thinking of Cooper Main & Virgilia Hazard in the North and South books. He's the moderate business-oriented abolitionist, while Virgilia is the radical, driven-by-ideals counterpart.
It'd be interesting to know just what started the trend to sweep the ugly stuff of history under the rug in romance. A demand for "undemanding" romance? "Don't make me feel uncomfortable about my country"?
Like you, Danielle, I prefer characters to be anti-slavery. Probably another reason why I liked The Black Swan so much. Adam helps slaves escape (not out of ideals, granted, but personal revenge), and Dulcie has an awakening about the evil that puts money in her family's pocket. I don't demand the MCs have to have anti-slavery views, though. Usually there's a strong supporting character who fills that role ably. Even though it's not a BR, I'm thinking of Cooper Main & Virgilia Hazard in the North and South books. He's the moderate business-oriented abolitionist, while Virgilia is the radical, driven-by-ideals counterpart.

I think that there are opportunities to show that not all people were pro-slavery, and to do it in a way that feels true to history.
Danielle "The Book Huntress" wrote: "I think that to make a plantation seem like Disneyland is pretty bad. Not all slave owners were extremely cruel, but the enslavement of people is wrong in my opinion...."
No doubt about it, the enslavement of people is wrong, period. On the other hand making a plantation seem like Disneyland in a fictional novel is not wrong IMO. I don't need my fiction to accurately represent the horrors of history all the time. It's ok for my fiction to be idealistic and to gloss over the ugly stuff. I appreciate novels with characters that are not pro-slavery but I don't mind reading about characters that are pro-slavery (or just accept slavery as a given) either.
You know what Karla, I think the "trend" to sweep the ugly stuff of history under the rug (in romance and just in general... like in history books even) is not so much a trend and just human nature. In a way it is an acknowledgment of just how ugly it was. As human beings we like to think of ourselves as generally good and try to turn away from or even skew the stuff that we now acknowledge was wrong. Don't want to face how truly awful humanity can be and has been.
Anyway.....
It is hard to say what I most enjoy about the old skool romance novels. I just find them incredibly entertaining. I love the pushy, overbearing, super alpha males. I also enjoy the epic scale of them. I love how the romance is usually slow to form and not overnight. Rippers usually deliver like no other in the WTF department and I love it! I am a very laid back person with little to no drama in my life so I can handle a whole lot of drama in my reading! LOL
No doubt about it, the enslavement of people is wrong, period. On the other hand making a plantation seem like Disneyland in a fictional novel is not wrong IMO. I don't need my fiction to accurately represent the horrors of history all the time. It's ok for my fiction to be idealistic and to gloss over the ugly stuff. I appreciate novels with characters that are not pro-slavery but I don't mind reading about characters that are pro-slavery (or just accept slavery as a given) either.
You know what Karla, I think the "trend" to sweep the ugly stuff of history under the rug (in romance and just in general... like in history books even) is not so much a trend and just human nature. In a way it is an acknowledgment of just how ugly it was. As human beings we like to think of ourselves as generally good and try to turn away from or even skew the stuff that we now acknowledge was wrong. Don't want to face how truly awful humanity can be and has been.
Anyway.....
It is hard to say what I most enjoy about the old skool romance novels. I just find them incredibly entertaining. I love the pushy, overbearing, super alpha males. I also enjoy the epic scale of them. I love how the romance is usually slow to form and not overnight. Rippers usually deliver like no other in the WTF department and I love it! I am a very laid back person with little to no drama in my life so I can handle a whole lot of drama in my reading! LOL
lol I have lots of critter drama in my life, so the WTF human drama in BRs is a nice change of pace for me.
You're probably right about the history white-washing. It does go through cycles, the whole "move along, nothing to see here" mindset. The moment of shame happens for awhile, but then it gets forgotten. In terms of books, if slavery is on the premises, I think I prefer to keep it to romances that either address it or historical fiction. If not, I'd still read it, but the book would probably get docked a star for that alone. It's ignoring an elephant in the room, IMO, and would give a depth of character to the H/h if they had to face it on some level.
I guess it really irks me when it's not addressed because I read 2 80s YA novels, one of which insisted on calling them "servants", and the 2nd which actually dared to use "slave" (and was a better book anyway). I don't think YA novels should be preachy or instructive like a classroom, but acknowledging a glaring reality when the story is set on a plantation would be a good start!
You're probably right about the history white-washing. It does go through cycles, the whole "move along, nothing to see here" mindset. The moment of shame happens for awhile, but then it gets forgotten. In terms of books, if slavery is on the premises, I think I prefer to keep it to romances that either address it or historical fiction. If not, I'd still read it, but the book would probably get docked a star for that alone. It's ignoring an elephant in the room, IMO, and would give a depth of character to the H/h if they had to face it on some level.
I guess it really irks me when it's not addressed because I read 2 80s YA novels, one of which insisted on calling them "servants", and the 2nd which actually dared to use "slave" (and was a better book anyway). I don't think YA novels should be preachy or instructive like a classroom, but acknowledging a glaring reality when the story is set on a plantation would be a good start!

Jeanine wrote: "I love the epic scope of a novel that takes these characters across continents and sometimes through years of their lives"
I think this is where BRs succeed where lots of those once-popular family sagas failed (like Fred Mustard Stewart's stuff). The number of characters are limited to a manageable size in a BR, where some of those sagas like Ellis Island bit off way too much and the result always seemed shallow to me. (Unless the page count topped 700, then there seemed to be adequate room to give everyone time to develop.)
Oh, and for a romance that covers many years of a character's life, I was looking at The Kadin last night, and it covers the heroine's entire life. Looks good! (Still can't believe I've never read it.)
I think this is where BRs succeed where lots of those once-popular family sagas failed (like Fred Mustard Stewart's stuff). The number of characters are limited to a manageable size in a BR, where some of those sagas like Ellis Island bit off way too much and the result always seemed shallow to me. (Unless the page count topped 700, then there seemed to be adequate room to give everyone time to develop.)
Oh, and for a romance that covers many years of a character's life, I was looking at The Kadin last night, and it covers the heroine's entire life. Looks good! (Still can't believe I've never read it.)

My version has the original cover art. There's an epilogue. Can't find any particulars online about just what the "missing" last chapter contains so I can compare or even wonder if I'd be missing anything.
Weird. Well, the book apparently stands well on its own as it originally was published, so no worries here. :)

yes, the missing chapter is only avail in that 2in1. Even versions after that one dont have the missing chapter.
the missing chapter was left out from the beginning back in 1978. dunno why it was never addressed except for the limited edition 2in1.
HTH.

I like the disguise set-up, too, and read a Harlequin this summer where the tension and reveal was well done: In the Master's Bed. In a summer of mainly blah Harley historicals, this was the exception.

Books mentioned in this topic
The Kadin (other topics)In the Master's Bed (other topics)
Harvest of Desire (other topics)
Lilac Seduction (other topics)