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Surviving the sophomore jinx...
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J.C.
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Apr 28, 2015 08:36AM

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I wrote a blog about it. Seriously, it seemed to help immensely after I put it out there for the internet to deal with. Helps that I have awesome followers that encouraged me and lifted me up at the time.

It gets easier, in the sense that you know you have people that will support you in the long run no matter what. I'm a firm believer in writing a tale you'll enjoy, because if you enjoy it, there's BOUND to be at least one other person in the world that will enjoy it.
It also helps that I was the fat kid in school, always picked on before they realized I could throw them through walls, so I developed thick skin at a young age.
It also helps that I was the fat kid in school, always picked on before they realized I could throw them through walls, so I developed thick skin at a young age.



I now have eight books in several different subgenres and have heard from some folks that they like x better than y and that's fine. You can't please everyone, so don't try. All you can do is write the next book as best as you can. Write a book that *you* think is better than the last one or if that is too much pressure, just write one you think is just as good.




Shall we form an "Appreciation for Support for Indie Authors Group" group?"

From what you posted above, it sounds like you have a good editor and good beta readers who will give you decent feedback. It sounds like you can rely on them to help you deal with this.
As for how we dealt with it, we were just ignorant. We made a plan in ignorance, and we started to follow it in ignorance. Fools rush in...
Also, I have nothing against a bottle of bourbon, in principle. (I prefer scotch.)

Add in rushing the book out and you have a full blown recipe for disaster. I think it is as much of an ego check as anything. I feel more pressure to raise the bar now, personally.

J.C. wrote: "I'm wondering how others deal with this..."
I'll be honest, I'm not sure what a sophomore jinx is.
When it comes to my writing, I set my expectations low. I work on something until I'm happy with it, show it to the editor. If she's happy with it, I give it one or two more passes and then publish. Then I move on to the next project and do not look back.
I'll be honest, I'm not sure what a sophomore jinx is.
When it comes to my writing, I set my expectations low. I work on something until I'm happy with it, show it to the editor. If she's happy with it, I give it one or two more passes and then publish. Then I move on to the next project and do not look back.


I'm pretty hard to please though, so I figure once I'm happy with it whatever it was that people enjoyed about my 1st book should come through again in future books.
I figure it's like anything, the more you do it the more confidence you have in yourself and less you self-doubt. At least that is what I hope! lol

J.C. wrote: "I love my vision. I feel it grow strong and stronger as I dig deeper into the plot..."
This is good. This is excellent! Love your visions and stay true to them. It's wonderful, yes, when readers also love our works, but not everyone will. I can somewhat relate to what you're saying. I am working on a novel and to pave the way to it, I'm also working on a series of short stories, each featuring a different set of characters from the novel. I know some people will read the stories and love them. They will love some more than others. When the novel comes along, some will love it, some will not. I'm expecting that. For some, the novel will fill what they have come to expect after reading the stories, for some, it will fall flat. But, I am loving the journey, loving the characters, loving the story. I can't control what others will think of my work, but I can work to satisfy myself. That's really my main goal.
I guess what I'm trying to say is, put your emotions into what you can control: your vision and your writing. Make it as damn good as you can and make sure you're happy with it. Don't stress about others and their thoughts and opinions as you have no control over that. You'll go mad worrying about things you can't control.
This is good. This is excellent! Love your visions and stay true to them. It's wonderful, yes, when readers also love our works, but not everyone will. I can somewhat relate to what you're saying. I am working on a novel and to pave the way to it, I'm also working on a series of short stories, each featuring a different set of characters from the novel. I know some people will read the stories and love them. They will love some more than others. When the novel comes along, some will love it, some will not. I'm expecting that. For some, the novel will fill what they have come to expect after reading the stories, for some, it will fall flat. But, I am loving the journey, loving the characters, loving the story. I can't control what others will think of my work, but I can work to satisfy myself. That's really my main goal.
I guess what I'm trying to say is, put your emotions into what you can control: your vision and your writing. Make it as damn good as you can and make sure you're happy with it. Don't stress about others and their thoughts and opinions as you have no control over that. You'll go mad worrying about things you can't control.

For what's it's worth, I just want to add an exclamation point to what Dwayne said above (#28). You can't know what expectations your readers (in general) have; you really can't know what "effing up" means. But you do know what your vision is and that you love it, and you feel it is getting stronger. That's great. Trust what you know and try not to worry too much about what is unknowable. (Not worrying at all would be superhuman -- so don't worry about worrying.)
I also think you can bet on two things: 1) readers are more forgiving than we sometimes fear; 2) they have a nose for "falsity". If you stay true to your vision, they are more likely to follow along, even if they don't know where you are going and/or are not 100% thrilled with the current environs.


So, just get on with it and write the next thing.
That's the theory, anyway. My second published work was set in a different history/universe than my first, so I don't really think of it as a true sophomore effort. I published several shorter works in that second universe and am only now getting close to completing the revisions/edits on the second novel set in the same universe as my first.
My problem is that the two books are set at opposite ends of this history. And the two books are very different from each other in tone and action. I suspect this second one may suck. But as John Lee Hooker's momma once said "It's in him, and it's got to come out."
Pretty sure most of my beta readers are going to wonder what happened to me. It's not what they've become accustomed to. I tend to bounce around a bit in the kind of works I produce.
Oh well. It is what it is.

I'm of the school to start writing as soon as you have the story in your mind. Then again, I waited til I had the first draft of my entire trilogy done before I even released the first one. Just understand having one book by itself isn't guaranteed to do anything, and writing another book is an excellent way to promote yourself.
After all, does it sound better when someone says, "Read the first one in my trilogy!" Or, "Read my entire series available here!"
After all, does it sound better when someone says, "Read the first one in my trilogy!" Or, "Read my entire series available here!"

I will add that when your bills are on the line, that ups the ante, but it doesn't change the calculus.
