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Grumpus, Hearing aide
(last edited Aug 25, 2016 11:52AM)
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Aug 07, 2007 07:21AM

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When compared to CDs...I prefer MP3. Probably lots of stuff here you already knew.
[http://www.tinyurl.com/ywqdx6]

This book will be released for audio first and then later in print. The Chopin Manuscript is audio only as far as I know.
[http://www.tinyurl.com/2xkhga]

Random House chooses Atlanta to launch new campaign to get drivers to listen to audio books.
[http://www.tinyurl.com/29cljm]

Amazon.com to Acquire Audible.com
SEATTLE, WA and NEWARK, NJ (BUSINESS WIRE)– January 31, 2008 – Amazon.com, Inc. (NASDAQ: AMZN) today announced that it has reached an agreement to acquire Audible Inc. (NASDAQ: ADBL).
Audible.com is the leading online provider of premium digital spoken word audio content, specializing in digital audio editions of books, newspapers and magazines, television and radio programs and original programming. Through its web sites in the US and UK and alliances in Germany and France, Audible.com offers over 80,000 programs, including audiobooks from well-known authors such as Stephen King, Thomas Friedman, and Jane Austen, and spoken word audio content from sources including, The New York Times, The New Yorker, Fresh Air and Charlie Rose.
“Audible.com offers the best customer experience, the widest content selection and the broadest device compatibility in the industry,” said Steve Kessel, Amazon.com’s senior vice president for worldwide digital media. “Working together, we can introduce more innovations and bring this format to an even wider audience.”
“This deal brings together two pioneering companies that share a long history of ceaseless focus on improving the customer experience,” said Donald Katz, founder and chief executive of Audible.com. “We are very excited to be joining a company as innovative as Amazon.com.”
In recent months, Amazon has announced a number of innovations in the digital space, including Amazon Kindle, a revolutionary wireless portable reader that provides instant wireless downloads of more than 90,000 books, blogs, magazines and newspapers to a crisp, high-resolution electronic paper display.
Under the terms of the agreement, Amazon.com will commence a cash tender offer to purchase all of the outstanding shares of Audible.com for $11.50 per share and will assume Audible.com’s outstanding stock-based awards, for an aggregate transaction value of approximately $300 million which includes Audible.com’s cash and short-term investments at closing.
The acquisition is subject to customary closing conditions, including regulatory approvals, and is expected to close by the second quarter of 2008.

http://www.bookpage.com/0806bp/lauren...
"Once skeptical author confesses her love affair with audiobooks" by Lauren Groff
Once skeptical author confesses her love affair with audiobooks
BY LAUREN GROFF
I'm such a fetishist for the physical object of a book that I was bushwacked to find myself falling in love with audiobooks. When I was little, most of my book collection was supplied to me every summer by the Cooperstown New York Friends of the Library sale, when I'd take two paper grocery bags and my pocket money and wait in the chilly predawn with a ragged horde of other bibliophiles. When the doors opened: utter bliss. I'd swim for hours in those beaten, dog-eared tomes, rich with dust and must and silverfish, scrawled in by forgotten readers and filled with curiosities: postcards, love letters, grocery lists. I'm still fiercely attached to most of those old books, and whenever I read a new book I absolutely love, I have to buy it. With actual books you can remember the first and last time you read it just by opening the cover, press it onto unsuspecting dinner guests, take it into the bathtub with you, or even leave it as a gift for the next lonely guest in a foreign hostel. They are miraculous objects, books. Author Photo
That's why, when I took my first solo cross-country drive and borrowed the unabridged audio version of Anna Karenina from the library, I felt sheepish, as if I were committing some sort of reading adultery. That day, though, the audiobook was a revelation: the actor was passionate, precise and able to paint subtle differences between the characters' voices. He had the opposite of my own internal reading voice, which resembles an old-lady auctioneer, and because he had read and understood the book differently than I had, he emphasized different aspects of it that I'd never dreamt existed. I ended up driving below the speed limit for the last six hours of the trip and lollygagging in the driveway when I finally arrived. He had handed me a new version of the book I knew and loved, and I adored him for it.
I tend to only read audiobooks when I'm driving: this has worked out well because for the last eight years I've lived in six cities at the very edges of America, and have taken countless, endless car trips. Though it's exciting to hear a new book from a writer I'd never read before—I heard Sara Gruen's Water for Elephants this way, and Ian McEwan's Enduring Love—I far prefer to listen to books I've already read. Huckleberry Finn unfolded itself into a more poignant love story and more blistering anti-slavery screed in the verbal rendition than it had been in my own silent reading; when I heard Fahrenheit 451 aloud, I heard a devastating condemnation of our current way of life that I hadn't when I read it in high school. There is something about an audiobook that feels ancient to me, a connection to a very early form of storytelling, when a Mother Goose or French jongleur or Nordic skald sat down at the fireside and unfolded a story into the laps of a community of listeners.
Now that my book, The Monsters of Templeton, has been born into the world, I find myself balking at the prospect of listening to the audiobook, even though I hear nice things about it. This is partially because I can hardly bear to read my own writing whenever it happens to be published (for me, journals and anthologies have enormous black holes in them where my work is), partly because I'm a little afraid of the actor-effect of the audiobook. Because I worked on the book for so long, and invested so much of my heart into it, I'm not yet sure I want to read it any other way: I'm not sure I'm ready to give it up to another voice yet.
Someday, though, maybe I'll slide into the car for another long trip and will find the audio version of Monsters and feel ready to put it in. The magic of audiobooks is the magic of surprise, of discovering something thrilling and new in what is already familiar. On that day, after I'll have published enough other books to forget my dear first novel a little, I hope with all my heart to be surprised by it all over again.
Lauren Groff's acclaimed debut novel, The Monsters of Templeton, was published in February and is available in hardcover and as an unabridged audiobook. A native of Cooperstown, she now lives in Gainesville, Florida.

Audio book reader C.J. Critt will be reading at the library.
[www.tinyurl.com/5wjkv9]

Good article about audiobook formats. I know many of you are listening off CDs. This article states the life span for that format is about 10 years as digital increases. They also address some of the digital alternatives available through libraries.
[www.tinyurl.com/6h5fkl]

I work with a very small audiobook publisher in Newfoundland (Rattling Books). We knew when we started that downloading was the way of the future but it wasn't easy for us to decide on a format and platform. Eventually we decided that DRM-free mp3 files were the only choice that made sense. At the time (2005) there was not widespread acceptance of this as a reasonable choice among members of the Audio Publishing Industry. Rattling Books is so small (we like to say we're so small, we're fine) that we just had to go ahead and do the DRM-free mp3 option anyway if we were going to be available as digital downloads.
So it is very interesting to read this article and also reassuring in that we increasingly have company in offering DRM-free mp3s. It makes us feel more comfortable when the big companies join in!
literature to listen to
rattlingbooks.com

[www.tinyurl.com/6lpcvb]
Is anyone still listening to books on cassette?


"Is anyone still listening to books on cassette?"
Guilty, my local library system is huge and holds a wast amount of tapes thank god. But I noticed that over the last few years they keep buying new titles only on CD's. Probably the worst playing format* ever since it is a production to get it converted to Mp3, and then into whatever player you now might have, like into my Sansa Fuze chips, while a tape you just pop in and play, stop, play, stop, play, stop ...
*You may say why not just use a CD player? I say, you have nooo idea what I'm talking about do you? Really!

This was forwarded to me by my friend Ginnie. Nowadays, the authors get to work with and choose their readers. What about the voices of the classic characters?
[www.tinyurl.com/5qr69t]

Audiobook popularity growth quantified here:
[www.publishersweekly.com/article/CA65...]

Audiobook sales plummeting
Associated Press
May 27, 2009
New York -- Except for e-books, sales are down throughout the publishing industry, and the numbers have looked even steeper for audio.
The Assn. of American Publishers has seen a 47% drop in audio revenue this year: Just 14 publishers reported, but they include Simon & Schuster, HarperCollins and virtually all the major New York firms.
According to Nielsen BookScan, which covers about 75% of sales (although not audio downloads), the number of audiobooks sold is down 20% this year from 2008. Data compiled by the Institute for Publishing Research project a 4.7% revenue fall in 2009.
Anthony Goff, president of the Audio Publishers Assn., and others cite a few reasons for audio's troubles.
The shrinking economy has had a very direct effect. The fewer people who work, the fewer people who drive to work. More than half of audio customers listen in their cars, said Chris Lynch, executive vice president and publisher of Simon & Schuster Audio.
Audiobooks also tend to cost more. The audio download for the country's hottest title, Mark R. Levin's "Liberty and Tyranny," has a list price of $29.99, nearly $5 higher than for the hardcover.

Anyway, more to the point, all these numbers talk about REVENUES or SALES. Can we see something that talks of profits? Obviously revenues will go down if you're selling your books via download instead of CD because download is carries a lower price tag. The REASON download carries a lower price tag is because it's FAR cheaper to "manurfacture" and distribute a download than it is to burn CD's (or tap cassettes) and physically ship them to B&M stores. Lower price tags always equal lower revenues(assuming quantity sold remains the same), but they don't have to equal lower profits.
I suspect they are also seeing lower profits, but that is mainly a product of the shrinking economy. Audiobooks are, quite frankly, a "disposable income" purchase - more so because purchases can often be replaced with free library rentals (if you're lucky enough to live in an area with a free library). Thus, as disposable incomes shrink, so will book sales (and movie rentals, and other types of entertainment purchses). However, I believe this article uses revenues instead of profits solely to make the situation look far more dire than it actually is.


http://www.audiofilemagazine.com/feat...
Also on his website is an mp3 where he talks about them too
http://www.jefferydeaver.com/Intervie...

http://video.msnbc.msn.com/nightly-ne...

http://goo.gl/ZK9No


Same here... although I can't claim frequent exercise beyond the treadmill. Audiobooks help, but they still haven't managed to make me develop good habits. *sigh*

I also began audiobooks due to bad vision. I absolutely NEVER thought I would like them. I don't! I LOVE them. I absolutely adore them.

However, unlike Chrissie, I am a total multi-tasker. I can't just sit and listen to an audiobook - I have to be doing something else at the same time (even if it's just trying to go to sleep!). I listen while I'm commuting and also while I'm exercising, either walking or at the gym. If I were an elite athlete, then I could understand that listening might have an adverse impact on exercise. But for me, having a book to listen to is part of what motivates me to put on my shoes and get out of the house.
Books mentioned in this topic
Gone Girl (other topics)Water for Elephants (other topics)
Authors mentioned in this topic
Jeffery Deaver (other topics)Neil Gaiman (other topics)