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The Haunted Hotel
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The Haunted Hotel - Week 2 - Chapters V-VIII
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I felt very sorry for Mrs Ferrari, the solicitor was quite dismissive of her fears and Agnes has made it clear she doesn’t want to get involved. She doesn’t really have anyone on her side at the moment, and her husband has vanished.
At the close of this section it appears that the money came from Lord Montbarry, but he wasn’t involved in the disappearance himself because he kept ringing for the courier to sit with him when he was ill, and didn’t realise he had gone. So maybe he somehow realised later that week that Ferrari was dead?

I’m still not sure how I feel about Collins and his writing. I’m not sure if its in general or the time, but his tendency towards the description of the female characters is largely unfavorable and belittling. He calls Agnes maid the “the old nurse”, Lady Montbarry’s maid was “rather a silent, unsociable woman”. “Ferrari's wife listened, without being convinced: her narrow little mind…”
The men seem to fare better…. We know the doctor had a good reputation and was in receipt of one of the highest incomes, the lawyer of Agnes…"He possessed a keen eye for character, a quaint humour, and a kindly nature…”, etc.
I'm finding the mystery interesting, and I'm curious to see how it plays out. Although, its always the spouse you know, so I'd like to see what haunting comes into play and if it is her and the baron.
Otherwise, I'm having a hard time with the writing as I said. I find myself cringing a lot and just being irritated. I wonder if he really hates women, or if its part of the story, or the times, or what?
This is the first I've read Wilkie Collins, so I'm not familiar with his writing style, so my comments on that are only pertaining to this read, as I have no other knowledge as yet.

This book is probably not the best introduction to Collins since it is more like a sensation novel than his two most famous works-The Moonstone and The Woman in White.
I have noticed that the quality of the writing in this book, and the character development as well, are not up to the level in those books.
This is definitely a plot driven book, which isn't necessarily a bad thing.

I also thought the comment about Mrs Ferrari’s “narrow little mind” was rather unfair, Brenda. I wonder if it is misogyny, though, or perhaps more based on class snobbery. Agnes tends to be depicted more favourably than the servants, I feel.


Which is interesting, as she was a teacher, correct? And has no money either. But, I think in that time period, class distinctions were everything. I don't remember her exact standing or if it was mentioned and I'm afraid to do a web search to not spoil the rest of the story. So I wonder if its for effect of the novel and to reiterate that, or if that's Collins? I've read other authors of the time period, but don't feel I've seen quite the animosity Collins has shown.
I am skimming a few portions and now go back to when the boys in the club were gossiping and Agnes was shown as being superior to the Countess. Yes, Agnes it certainly show in the most favorable light above most everyone.

Maybe a plan was already in place and maybe the Countess was already feeling some guilt when she ran into her at the luncheon? Maybe Agnes, who we see is still in love with Lord M., will haunt the Countess somehow to find out what really happened to him?
I wonder if this story to the Dr. is for the Countess and her "brother" if they have done something, to put a different story in the air ahead of time? Or try to turn something against Agnes?

Pamela wrote: "At the close of this section it appears that the money came from Lord Montbarry, but he wasn’t involved in the disappearance himself because he kept ringing for the courier to sit with him when he was ill, and didn’t realise he had gone. So maybe he somehow realised later that week that Ferrari was dead?..."
No, I don't believe Lord Montbarry was involved in Ferrarri's disappearance, but he seems to have some knowledge of it and of Ferrarri's fate. I wonder how he knows the man is dead?
No, I don't believe Lord Montbarry was involved in Ferrarri's disappearance, but he seems to have some knowledge of it and of Ferrarri's fate. I wonder how he knows the man is dead?
Brenda wrote: "I think it all feels suspicious. Lady Montbarry is the only one that attends to her sick husband, while her “brother” is downstairs in this chemist’s studio. I think Mrs. Ferrarri is well placed wi..."
I haven't found Collins to be misogynistic in his other writings; in fact, he creates strong female characters whose powerful actions have a big impact on the story. I'm not sure where he's going with the Countess's character yet, but I have seen him create a complex, fascinating villainess, so we'll see whether he does the same here.
I, too, am interested to see where the haunting comes in. So far we have two dead characters, so will it be one of them or a yet-unrevealed spirit?
I haven't found Collins to be misogynistic in his other writings; in fact, he creates strong female characters whose powerful actions have a big impact on the story. I'm not sure where he's going with the Countess's character yet, but I have seen him create a complex, fascinating villainess, so we'll see whether he does the same here.
I, too, am interested to see where the haunting comes in. So far we have two dead characters, so will it be one of them or a yet-unrevealed spirit?
Rosemarie wrote: "I am also very suspicious about Lord Montbarry's death, who was not known to have lung problems while in England.
This book is probably not the best introduction to Collins since it is more like a..."
I would agree with you, Rosemarie, that this might not be the best example of Collins' work. We'll see how it ends before deciding, but he's going to have to go a long way to beat The Woman in White and Armadale, as far as I'm concerned, but that is because I love both of those. I don't know the ending of this one yet, but I have yet to read a book by Collins that disappointed me. I don't expect this one to do so, either!
This book is probably not the best introduction to Collins since it is more like a..."
I would agree with you, Rosemarie, that this might not be the best example of Collins' work. We'll see how it ends before deciding, but he's going to have to go a long way to beat The Woman in White and Armadale, as far as I'm concerned, but that is because I love both of those. I don't know the ending of this one yet, but I have yet to read a book by Collins that disappointed me. I don't expect this one to do so, either!

The "narrow little mind" bothered me too and I agree, the women don't seem to fare well with Collins except Agnes (the usual Victorian angel ?). It's funny because I read the Moonstone last year, I think, and I don't remember women being described the same way.


Brenda, may I suggest reading No Name - I liked it better than Woman in White. It also shows him challenging the way women were treated.

Ferrari's disappearance (or death as his wife claims) seems very suspicious. His letters to his wife hint at some untoward relationship between the Lady Montbarry and the Baron. I felt from the beginning that those two are not what they claim to be. And now, has he become a victim, because of his knowledge?
Baron's insistence on Lord Montbarry insuring his life in favor of his wife is also suspicious. It looks like some plan was on work. And now the Lord is dead and looks like of natural causes, and Lady Montbarry is free to claim his life insurance money. It all looks too convenient for me.
By the way, Baron Rivar and his chemical experiments reminded me of Count Fosco in The Woman in White!
Baron's insistence on Lord Montbarry insuring his life in favor of his wife is also suspicious. It looks like some plan was on work. And now the Lord is dead and looks like of natural causes, and Lady Montbarry is free to claim his life insurance money. It all looks too convenient for me.
By the way, Baron Rivar and his chemical experiments reminded me of Count Fosco in The Woman in White!
The new Lady Montbarry is joined in her honeymoon travels by her "brother," the Baron Rivar. First of all, inviting your brother on your honeymoon is rather odd in itself, but there are rumors that the relationship between Lady Montbarry and the Baron is suspect and decidedly not fraternal. Then the newly married lord sickens and dies on his wedding trip. leaving his wife, we presume, in possession of his fortune (whatever that may be). The insurers travel to Italy to investigate the death, sensing something out of kilter but are unable to discover any proof of wrongdoing or fraud.
Mrs. Ferrarri is convinced that her husband ferreted out the romantic relationship between Lady Montbarry and the Baron, and they killed him to silence him. Agnes is prostrated by Lord Montbarry's death, still not recovered from her passion for him despite his cruel treatment of her.
So what are your thoughts? There are several mysterious occurrences in these chapters. What do you think has happened to Mr. Ferrarri? Do you think that Lord Montbarry really died of bronchitis? What is the story behind the check Mrs. Ferrarri receives in the mail? Do we believe that the Baron is Lady Monbarry's brother? I look forward to your take on it!