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Mexican Gothic
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Mexican Gothic by Silvia Moreno-Garcia - September 2020
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I'll keep participating in the discussion throughout the month because I have discovered that- seeing other people's perspectives can do wonders on you own! ❤️


anyways... i'd love to hear what everyone else thinks.

Not really my cup of tea, so I didn't enjoy it that much. Ending was mildly satisfying, but getting there felt tedious and just like a bad trip. I guess books which rely heavily on dreamlike sequences are just not my thing.
Also, I'd say that was a poor choice for the Historical Fiction pick.
Ah well, onto the next one now.



I'll read on...


Wow, the last fifty pages were intense. A little difficult to get your head around but did ring true to the gothic horror genre. Just a pity that the first half of the book was slow and didn't seem to be going anywhere.
3.5 stars

i really did enjoy the book at first, i couldn't put it down because i wanted to know what was going on in that house. when they finally started revealing things it got weird, but overall i enjoyed the book. i liked reading something outside my normal genres.



What I liked: The sense of atmosphere built up in the first half, despite very little actually happening, You knew something fairly unpleasant was going on, even if you had no idea what it was. Also, the last third of the book definitely kept me driven to find out how it would end.
What I liked a little less: The actual reveal of what was happening.
I hadn't really thought about it until other people mentioned it, but the book does seem to not be a great fit for the Historical Fiction category (though, being new here, perhaps I don't have solid grasp of the category's intent.)
Anyway, I liked the book and while I am not going to run right out to the bookstore, I will add the author's name to my list of writers who I would consider buying other works from.

Not really my cup of tea, so I didn't enjoy it that much. Ending was mildly satisfying, but getting there felt tedious and just like a bad trip. I guess books which rely heavily..."
Though I did like the book, I resonate with Ravin in that we didn't pick the best choice for historical fiction.



SPOILER ALERT. The abuse shrouded in eroticism that is so central to these stories is also updated here, as our heroine struggles with feeling disgust at the same time she succumbs partly to what we learn is mind control. As all these novels do, this one plays with dreams vs reality, questions of what is real and what is mental illness, and questions of drugged states, but this story toys with the question of which drugs are the problem.
I knew from the beginning this would be a tale of eugenics gone even more wrong, but the mushrooms were a welcome twist—I love the idea of them being alive but needing a mind to complete their network. There is a lot more to think about here than I anticipated! I also love how the ending is ambiguous and continues the theme of what is reality and what is fantasy. Will they make it happily ever after, or will the house still haunt them? Or will they end up in a Mexican prison? So much room for a sequel.
Apparently there was a bidding war to make this a series—10 competing bids! I can’t wait to see what Hulu does with this. I highly recommend this book, but readers should know going in it is horror, and it is intense.
NEW YORK TIMES BESTSELLER • An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . .
From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird” (The Guardian).
After receiving a frantic letter from her newlywed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find - her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
“It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post