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Tropic of Cancer
The 100 Best Novels
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Week 59 - Tropic of Cancer by Henry Miller
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I've always been put off reading him because he's billed as the quintessential man's man. Crass and manly. Generally I'm guessing not a good match for my temperament, though I could be wrong in my prejudgement!
Leslie wrote: "Ditto here too. I must admit that it doesn't sound appealing to me."
I didn't want to say, but yes, the same for me! ;)
I didn't want to say, but yes, the same for me! ;)

I didn't want to say, but yes, the same for me! ;)"
Nor me!

I think far more interesting than Miller, is Anaïs Nin, whom he had a fairly tempestuous relationship with. I'd recommend A Spy in the House of Love if you've not read her. Mind you, I also read her diaries and thought they were very interesting,


His writing is really poetic, and I love his honesty. I can see why people would be put off by things they've heard about his writing though.
Books mentioned in this topic
Tropic of Cancer (other topics)Tropic of Capricorn (other topics)
Tender Is the Night (other topics)
A Spy in the House of Love (other topics)
The Smile at the Foot of the Ladder (other topics)
More...
Authors mentioned in this topic
Henry Miller (other topics)Mark Twain (other topics)
Anaïs Nin (other topics)
From the article:
"In American literature, the renegade strand had found its richest expression in the genius Mark Twain, who went out of his way to oppose the “genteel tradition” of Emerson and Longfellow. By the 20th century, however, the renegade frontier was to be found not in the wild west, but in Paris. Miller, the down-and-out literary enragé, revelled in a new frontier of seedy desperation, where there were “prostitutes like wilted flowers and pissoirs filled with piss-soaked bread”. He and his muse Anaïs Nin flourished here – resolute, isolated and stoical in pursuit of their new aesthetic. Nin memorably recalled that, while her lover was mellow in his speech, there was always a small, round, hard photographic lens in his blue eyes.
The shabby, 38-year-old American with unblinking camera vision who arrived on the Left Bank of Paris in 1930 was the quintessence of abject failure. All he had going for him was creative rage, mixed with the artistic vision of the truly avant garde. I start tomorrow on the Paris book, wrote Henry Miller. First person, uncensored, formless – fuck everything!"
(...)
His obsessive reporting of his sexual exploits, and his low-life rootlessness, is the novel’s subject (there is no plot), a merciless assault on convention. Next to Fitzgerald’s Tender Is the Night (1934) and even Faulkner’s Absalom, Absalom! (1936), Miller’s visceral candour was off the charts of contemporary taste, in tone as much as language."
Read the article here