Catching up on Classics (and lots more!) discussion

This topic is about
A Tale of Two Cities
Charles Dickens Collection
>
A Tale of Two Cities - SPOILERS
date
newest »

A Tale of Two Cities was the only novel by Charles Dickens that I did not like. That's a shame, because so much of it is brilliant, and I can never get Madame DeFarge's knitting far from my mind, thinking how that quietly angry woman wove all the coded names of crimes of the aristocracy into her fabrics ... and her frothing toward the end of the novel as she helps lead the Reign of Terror. The guillotine scene is so classic that I realize it's cliche to love it.
But the plotting was too dense for me, and the historical coincidences too much for even me to stomach - a die-hard Dickens fan - and I like to approach authors on their own terms, as much as I can. I couldn't muster enough for Tale of 2 Cities, though. Focusing on other reading this month.
[Hope everyone else enjoys it, though]
But the plotting was too dense for me, and the historical coincidences too much for even me to stomach - a die-hard Dickens fan - and I like to approach authors on their own terms, as much as I can. I couldn't muster enough for Tale of 2 Cities, though. Focusing on other reading this month.
[Hope everyone else enjoys it, though]

But his portrait of how the old man reverts to his prison behavior is stunningly prescient for someone who'd never read Freud....
Shelley
http://dustbowlstory.wordpress.com


I agree that Lucie was too-good-to-be-true and that Madame Defarge was more interesting. However, as sinister as Madame Defarge was she did not bother me in the way that Jacques Three did. He was one of the most gruesome characters I have ever met in literature. His glee at the executions(thinking about how Lucie would look upon the scaffold of the guillotine and "the child also". He continues "we seldom have a child there. It is a pretty sight!" He is a plotter with Madame Defarge, a juryman, and a witness to the executions. Although Madame Defarge was evil she did have twisted reasons for revenge. Jacques Three had no reason other than pure evil to wish for the execution of so many.
In the back of the book I read there were some questions. One asked "Would the novel be better without Sydney Carton's sacrificial act and final speech?". My answer is an unequivocal no. The act was necessary for the plot to proceed and the speech was heartrending and made the story complete. It also gave what is undoubtedly one of the best closing lines of in the literary history.

I agree. There were a number of very good scenes in books one and two, but book three was much stronger overall. I enjoyed Carton's character-arc and I thought the end was excellent.
This was my second Dickens novel. Great Expectations was a little bit better, but I'm glad I read A Tale of Two Cities. I've really become a big fan of Victorian novels.

Totally agree! Madame Defarge had motives (even though her sense of justice is distorted) while Jacques Three was SO blood-thirsty for the mere love of killing and inflicting pain on others. That dude had nothing to do with the true meaning of the revolutionary spirit. It was great of Dickens to show how some people abuse critical humane causes for evil purposes.
I might have to read this again - it's been a while, and I only remember it being one mighty slog. Maybe I'll get the library's audio version, and listen to prisons, riots, and decapitations while I'm basting the turkey and rolling out the dough for rolls. (Falls to the Fellow of the House, this year. Hmmmm.)
Let the good times roll, y'all. HAPPY THANKSGIVING!
Let the good times roll, y'all. HAPPY THANKSGIVING!

This novel shares certain qualities with a lot of the other 19th century novels I've read lately: the eyebrow-raising coincidences, the ultra-innocent and pure heroine, and lots of swooning. But it also has a fascinating plot and interesting, sympathetic characters. I really appreciated Dickens' sense of humor - I found myself snickering aloud several times while reading. I also loved the historical setting of the French Revolution, which I really want to learn more about one of these days.

Christine wrote: "I think I can say I am now officially a Dickens fan. I can't wait to read more of his writing..."
I recommend Oliver Twist. Such an amazing book.

I too found myself snickering - not laughing.. you know, like when he tells that at Tellson's they hire young people and hide them till they're old when they are made to sit in the bank..
A Tale of Two Cities by Charles Dickens is our March 2018 Revisit the Shelf Reread.
This thread is open to spoilers for the book.
This thread is open to spoilers for the book.

To be honest I mostly read it to compare it with Deathly Hallows. Rowling said it was like A Tale of Two Cities, but apart from the occasional beheading I fail to see why. Maybe I need to read it again…
Unlike many from three years ago, I didn't hate it. I thought it was dark and gloomy and maybe less fascinating that some of his other writing, but I still like it.

I like everything about this book; the themes of resurrection and redemption, the gruesome portrayal of the aftermath of the French revolution and the things that made it inevitable, but most of all the remarkable characters. Dickens wrote characters that you just don't forget. Every character was richly drawn, with the possible exception of Lucie Manette.
Like other real classics, the book is timeless. There are many lessons to be learned about the dangers of an unjust society and the mob mentality caused by hatred.
Like other real classics, the book is timeless. There are many lessons to be learned about the dangers of an unjust society and the mob mentality caused by hatred.


A Tale of Two Cities opens with a passage that has become one of English literature's best known: "It was the best of times…" It is a passage well worth parsing. What does Dickens mean by setting the stage with such polarities? For whom was it the best and the worst of times? Dickens also mentions that the era about which he writes was very much "like the present period," which when he was writing meant the late 1850s. Why does this passage continue to be quoted today? In what ways does our own present period merit such an assessment?
Question from the back of the book: Penguin Group USA-Oprah's Book Club edition
Question from the back of the book: Penguin Group USA-Oprah's Book Club edition

I had to read/listen to the first few chapters 3 times to get into it. For the third time I chose a different audiobook reader, which made it a bit better, but not much.
I was thinking about giving up, but then I read the plot summary, which I found intriguing, but the book itself bores me somehow. I suppose it must be the writing style, but I can't really put my finger on it.
I really liked the idea of the encoded knitting patterns, though. And as someone who can knit and knows a tiny bit about information theory and a little more about how computers encode characters, I can't stop thinking about how it could be done and/or how Madame DeFarge would have done it, especially if the pattern shouldn't raise attention due to looking like a mess.
Not sure where you are all at in the book, but an interesting thing to me is the use of doubles in the book --
* Two cities
*Darnay is tried as in both England and France
*Lucie Manette has both an English mother and a French father
* Two cities
*Darnay is tried as in both England and France
*Lucie Manette has both an English mother and a French father

* Two cities
*Darnay is tried as in both England and France
*Lucie Manette has both an..."
Oh yes, absolutely.
I have always felt that the title A Tale of Two Cities is pure genius. I am an urban guy, and it stimulates my curiosity instantly.
As the crow flies, London and Paris are only 215 miles apart (compare New York / Boston, 190 miles; New York / Washington, 204 miles).

I'm also a knitter and have to say I can't think of any way to encode such complex information (name, crime, sentence of the committee), at least not quickly enough to keep up with events. I'm afraid it's mostly there as a metaphor, a quiet domestic activity concealing a deadly peril, knitting "a shroud."


I didn't think of it as a metaphor before! Compelling theory! That's probably it.
If one still wants to take it literally, you could use knit and purl as 0 and 1 and use ASCII, or you knit a Morse code pattern (just pearl on a knit background), but both of those might fall within "not quickly enough to keep up with events". Moreover, Morse code hadn't been invented yet and would have been too obvious/visible in any case.
In any case, knitting seems to have been used to sneak information across enemy lines, but more by allowing you to look innocuous while spying or by hiding paper messages in balls of yarn. I found this article about it.
I'm reading this one on my Kindle. About 25% through the book. We really don't have that many main characters in the book so far, so I should hopefully be able to keep them straight.

Yeah, he describes the post traumatic stress disorder with empathy. Not a common sentiment in that times. I like this book so much also because I consider it as a thriller. I think that Dickens was very clever in building the suspense.
And besides that, the french revolution is one of my favourites historical periods.

Jehona wrote: "I found it hard to care about any of the characters. The beginning was also boring."
But still you gave the book 4-stars. What changed your mind later that you ended up liking it?
But still you gave the book 4-stars. What changed your mind later that you ended up liking it?


So here are my main problems:
I had seen the 1935 film version and, while it is a fine film I found the characters paper thin. Everyone was either good or bad and everyone was a stereotype. And this is Dickens who is known for amazing characters! To my amazement I found the same problem with the book. These characters don't drive the story. They are there like chess pieces to be moved around. You could shuffle the good characters around and it would not change the plot at all. Right there you have a huge problem. In stead of telling a story about people he is telling us a story about ideas or rather about how bad people will do bad things and how good people suffer because of it. This is such a childish view of the nature of evil. A story line like this works in an opera (where we at least get some good music to enjoy the journey), but a book has to be more than this.
The other problem I had with the book is that Dickens is so obsessed with writing beautiful prose that sometimes it is all he is doing. He will spent sentence after sentence saying the same thing again and again and sometimes he will pack his thoughts in so beautifully that all you see is the wrappings. That is not a good story telling, but rather a show off.


Couldn't have said it better. I totally agree.
Except: I haven't seen the movie.

I will agree that in the others he do not do an equally good job. In the first part the story starts very well when we meet Dr. Manette and his adorable daughter, in the second, however, interest is greatly reduced as the author does not use well enough the interesting characters he created when is describing their most peaceful activities. But I think the third and most adventurous party is fully compensating us.

I’ve read a fair amount of Dickens and for me this is his greatest, even though David Copperfield is typically given that distinction. CD himself said that DC was his favorite; that and the semi-autobiographical nature I think accounts for it, but again, for me A Tale of Two Cities is his masterpiece.
It’s least like his other novels: few caricatures, little humor, and the lack of perfectly satisfying poetic justice at the end. What an ending – I love it.

Having said that, I could not help making comparisons in my mind between this book and Les Misérables which I read a year ago. The emotional charge was just not the same with A Tale of Two Cities. It would be very difficult to match the depth of a character such as Valjean, in my opinion.
Thanks for the comparison, Candi. I did like Les Misérables, but put down A Tale of Two Cities for later.
For me parts 1 and 2 were a bit of a slog but I enjoyed part 3. I haven't read much Dickens but I have seen quite a few adaptations and I always associate him with detail and big books. I think this was partly why I was disappointed in this one as I would have liked more detail on life before and during the revolution.
I agree that the characterisation could have been better especially Lucie Manette who was the usual Victorian heroine - pretty, sweet, slightly fragile, etc. I also felt that we were mainly told that she was wonderful by other characters rather than being shown it by her actions - but then again we don't get to see that much of her.
I think Dickens missed a trick by not showing us more of Sidney Carton and how he comes to his decision on how to save Charles Darnay. He was the one character I found truly interesting and would loved to have been able to delve into his character more.
I agree that the characterisation could have been better especially Lucie Manette who was the usual Victorian heroine - pretty, sweet, slightly fragile, etc. I also felt that we were mainly told that she was wonderful by other characters rather than being shown it by her actions - but then again we don't get to see that much of her.
I think Dickens missed a trick by not showing us more of Sidney Carton and how he comes to his decision on how to save Charles Darnay. He was the one character I found truly interesting and would loved to have been able to delve into his character more.
Books mentioned in this topic
A Tale of Two Cities (other topics)Great Expectations (other topics)
A Christmas Carol (other topics)
Oliver Twist (other topics)
Les Misérables (other topics)
Do not read this thread if you want to avoid spoilers!
Happy reading! :-)