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S&L Podcast - #340 - No Birdy Poos
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I don’t know where you got this information, but it’s incorrect. It’s a Wonderful Life was released just before Christmas in 1946, while Miracle on 34th Street was released in June 1947, a full six months later. The film that crushed IaWL was the post-war drama The Best Years of Our Lives.
It’s a Wonderful Life WAS a bomb. It made $3 million at the box office but it cost nearly $4 million to make. (Capa had Bedford Falls built, including transplanting those giant trees. Miracle on 34th Street also earned $3 million, nearly 5 times its budget of 550k. Capa spent almost that much just on fake snow.) By comparison, The Best Years of Our Lives was a certified blockbuster. It cost $2 million to make and earned over $23 million. ($311 million in 2018 dollars.)
Not only was It’s a Wonderful Life a flop, it destroyed the mini-major studio that made it, Liberty Studios, whose assets were bought by Paramount for pennies on the dollar.

To which I can only add.
Christmas, Bah Humbug!
Good podcast, but no mention of the S&L Challenge survey :(
We are up to 487 responses, but surprisingly about half of those people didn't participate this year, which means we have about 250+ people who did participate in the challenge this year, but haven't yet responded to the survey.
I'm going to leave the survey up until the end of the year, but I'll be looking to draw some conclusions on what to do next year in the next week or so.
We are up to 487 responses, but surprisingly about half of those people didn't participate this year, which means we have about 250+ people who did participate in the challenge this year, but haven't yet responded to the survey.
I'm going to leave the survey up until the end of the year, but I'll be looking to draw some conclusions on what to do next year in the next week or so.


Christmas movies were released all year long back in the day. I presume the summer Christmas ones appealed mainly because no one had air conditioning back then.
The Shop Around the Corner: January 12, 1940
Holiday Inn: August 4, 1942 (although arguably not Xmas specific, it ends with White Christmas)
I'll Be Seeing You: January 5, 1945
The Cheaters: July 15, 1945
Christmas in Connecticut: August 11, 1945
The Bishop’s Wife: February 16, 1947
Miracle on 34th Street: June 7, 1947
A Christmas Wish (aka The Great Rupert): March 1, 1950
The Lemon Drop Kid: April, 1951
The Holly and the Ivy: February 4, 1952
White Christmas: October 14, 1954
We’re No Angels: September 8, 1955

Stephen wrote: "I got a message from Tom about the survey, I am assuming all 27,000 people got it, but I am going to quit assuming for awhile as it has gotten me in trouble. But I stand by my conclusion the Bird w..."
They did, but not everyone who listens to the podcast is a member on goodreads.
They did, but not everyone who listens to the podcast is a member on goodreads.

https://www.thehour.com/news/us/artic...

1932's THE MUMMY was released on Dec 22, making it my favorite Christmas movie.
It's a Wonderful Life was only a limited release in December 1946 and that was done to get it Oscar consideration. It's wide release was January 1947.

Technically everything followed a Limited -> Wide release pattern back in the day, typically starting in NYC and LA, then rolling on from there after a few weeks. Part of the reason why the Best Picture Oscar eligibility rules stipulate that the film has to have been released in Los Angeles County for at least a week is a holdover from that practice.
“Limited release” wasn’t an artisanal choice like today, it was a function of testing a film in front of audiences and the practical issue of striking physical prints. Movies were sometimes re-edited after their initial releases to make them more audience-friendly. But mostly it just cost a lot of money to make a new print. Once attendance dropped below a certain point, a theatre would box up the reels and send them to the theatres in smaller cities. It was entirely possible that the actual print audiences saw in Fort Wayne was the one that had played in Chicago the month before.
Jaws was the first genuine wide release that eschewed this pattern, opening in 400+ theatres nationwide on the same day. Given that most of today’s movies open in 4,000 theatres, that number seems quaint, but it was quite something back in the day.
Even Star Wars didn’t do that, opening in NYC and LA first, following the traditional film rollout. Its release date is May 25th, 1977, but that was only in something like 25-30 theatres for the first couple weeks. I don’t think it came to my local theatre in Ohio until late June of 1977.
Movies also used to run for much longer than they do now. Star Wars is the all-time champion for longest wide release, staying in hundreds of theatres for nearly a year and a half, but most films ran for 3 months in initial release, then another couple months in secondary theatres.
I remember Roger Ebert complaining about a couple saying to him that they’d catch a movie “in a few weeks”, which he mocked, exclaiming that the movie would be gone by then. He was forgetting that for the better part of 70 years movies hung around for months and months, and people were still in that mindset.


Technically everything followed ..."
If you're interested, here's a list of first-run Star Wars engagements from 1977. I know that my first viewing was actually while visiting relatives somewhere in the Bay Area, but then I saw it again later that summer when it opened in my hometown (on July 1st).
http://www.digitalbits.com/columns/hi...

Wow, that’s cool. I’m from Dayton and had no idea it opened at Cinema 1 on 5-27. I wonder why I didn’t see it for so long. (I mean, besides being 12 and not able to drive.)
Fun personal note: my parents took my brother and me and my mom, at the time head nurse of the ER night shift, fell sound asleep a few minutes in. Explosions and all. To this day she’s only seen the last 45 minutes of Star Wars.

Yeah, these days if a film has "legs" (e.g. Black Panther, Wonder Woman, Jumanji: Welcome to the Jungle, The Force Awakens) it's usually in release about 24 weeks, give or take. Most animated features stick around that long too--I guess most theatres figure they can run daytime and weekend matinee showings for children with caregivers at home during the day, etc. for months without hurting the evening screenings of the latest blockbuster. But every few years you get an outlier like Frozen or The Greatest Showman that runs for over 30 weeks.
Fun bit of trivia: it's claimed that The Rocky Horror Picture Show has continually been in theatres since its 1975 release.
Trike wrote: "“Limited release” wasn’t an artisanal choice like today, it was a function of testing a film in front of audiences and the practical issue of striking physical prints. Movies were sometimes re-edited after their initial releases to make them more audience-friendly. But mostly it just cost a lot of money to make a new print. Once attendance dropped below a certain point, a theatre would box up the reels and send them to the theatres in smaller cities. It was entirely possible that the actual print audiences saw in Fort Wayne was the one that had played in Chicago the month before."
Another tangential bit of trivia: Dawson City in the Yukon was one of the last towns on the circuit during the silent film era, and a lot of film reels sent there were never returned: there wasn't much concern about archiving back in the silent film era, and the cellulose nitrate film stock in use at the time was a very fragile medium. (Anywhere from 75%-90% of films from that period are thought to be lost forever). Forty years ago, they were digging for a new parking lot and uncovered a trove of over 500 silent film reels mostly thought lost, buried since 1929 and preserved by this unintended permafrost vault. This story is told in the documentary Dawson City: Frozen Time.


Thanks for the article Joseph, and the jog down memory lane.

Boston, MA — Charles Triplex is where I saw Star Wars for the first time. Had a blast at the theater with a large group of people.

We didn’t get Saturday Night Fever until 1979 (I remember doing the dance routine in it for my Year 10 Farewell at the end of the year and we’d not long seen it. And we got Grease around the same time. It was like that a lot at the time. We were always at least a year after Sydney got it because the film had to physically go from place to place in the country.

My cousin James had a similar experience. His birthday is today (Jan 3rd) and when he was about 1-1/2 in summer of 1978 they took him to see Star Wars because it was still playing. For some inexplicable reason just before the movie started he began cheering. I guess he was reading the mood in the room.

Tell me you weren't the projectionist or something & didn't have to watch it all year. I liked Home Alone, but I wouldn't want to have to watch it more than once in a year.

Tell me you weren't the projectionist or something & didn't have to watch it all year. I liked Ho..."
Just an usher, luckily. Our projectionist (back in the projectionist union days, when it was a trade) was a guy we called Dirty Bob, and there are few stories about him fit to tell in this venue.

Just an usher, luckily. Our projectionist (back in the projectionist union days, when it was a trade) was a guy we called Dirty Bob, and there are few stories about him fit to tell in this venue. "
That sounds like the plot of a funny independent film.
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