Golden Age of Hollywood Book Club discussion
Hob Nob
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you bad girl!


It's interesting that many of the male 'stars' were seen as heroes or villains, leaving much of the in-between to character actors while women were not so strictly defined.

It takes unusual individuals to become actors and actresses. Ideally, we look to them not merely for their attractiveness, but for insights about our own selves.

Saw it on a big screen. Revelatory to me; I had her pigeonholed as damsel-in-distress.
My fave troublesome female (or at least one which wowed me)? Yvonne de Carlo in 'Criss Cross'
My fave troublesome female (or at least one which wowed me)? Yvonne de Carlo in 'Criss Cross'

Thanks. Yea, the way she drew Burt into a scheme which he didn't want any part of ...all the worse since, when they re-encounter each other in the first place (film's beginning, chance meeting) he really doesn't even want any part of her either. He was through with her, was trying to move on. But she wrecked his resolve, and it wasn't sincerely or honestly motivated at all. Just a bad girl all around.
I've known young ladies like that. Struck a chord with me.
I've known young ladies like that. Struck a chord with me.


Indeed. Tops in 'High Sierra'. Even when she had matured she still had wallop, grit, and verve. Mesmerizing as St McQueen's chain-smoking mom in 'Junior Bonner'. To me, anyway.
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It might be because we already 'know' plenty of 'em are bad in real life? It's not shocking to see Mitchum play a tough; you know he already is tough from knowing his life story.

The anti-hero took awhile to come in.



William Goldman famously observed that all the big stars he ever met were relatively short of stature. He worked with McQueen, Redford, Hoffman, everyone


Yea...for my money though, my especial favorites are the actresses who typically play goody-two-shoes suddenly 'plunging into' a bad-girl role and clobbering it. Doris Day should have tried it, just to see what happens.
Actually I like that anytime it comes about, whether male or female. Such as with Fred MacMurray ('The Apartment', 'The Caine Mutiny')
But with regard to Babs Stanwyck, something about her didn't seem as if she would ever balk at the seamy underside of life. She looked like she could weather it all with equanimity.
Actually I like that anytime it comes about, whether male or female. Such as with Fred MacMurray ('The Apartment', 'The Caine Mutiny')
But with regard to Babs Stanwyck, something about her didn't seem as if she would ever balk at the seamy underside of life. She looked like she could weather it all with equanimity.



BTW, I just found out that Dan Duryea, who she bumped off in 'Tears', graduated from the same high school as a friend of mine (different year.) Small world.

He was relatively innocuous as the smart-aleck sports reporter who jeered at Gary Cooper's Lou Gehrig and wagered with Walter Brennan as they watched him hit

quite a few 'film noirs' and thrillers might have been even better than they were if the femme fatales had been genuinely bad.
Wanda Hendrix in, 'Ride the Pink Horse'
Joan Bennett in, 'Man Hunt'
Janet Leigh in, 'Manchurian Candidate'
These flicks could have been more 'edge of the seat' if these 'savior' women had an element of 'doubt' involved.
Wanda Hendrix in, 'Ride the Pink Horse'
Joan Bennett in, 'Man Hunt'
Janet Leigh in, 'Manchurian Candidate'
These flicks could have been more 'edge of the seat' if these 'savior' women had an element of 'doubt' involved.
There's a rumor though, that supposedly Janet Leigh's character was also supposed to be a minion of the Koreans and so when she meets Ben on the train she is only 'pretending' to exhibit attraction in order to get under his defenses and thwart him from tracking down Raymond. It would have been a nifty story wrinkle, I think.
I agree but I don't believe she just pulled such 'bravura' out of her bouffant hairdo. She was a veteran, professional actress with years of experience on stage and on screen. How old was she, playing a maid in 1943's 'Gaslight'? Nineteen? This is what I salute, that tradition of hard-working actors and actresses honing their skill in every area of performing arts. Ferociously ambitious talent. Not coasting or gliding ever. This, as opposed to today's feeble 'celebs'.

As far as the "stars" of today, I don't even know who half of them are. And those greats of the present aren't sticking around for various reasons: Daniel Day-Lewis who I think is masterful has given up acting; I can't seem to find Helena Bonham Carter; Kevin Spacey got himself in trouble, etc.
Thanks. Yea it's a different work-ethic in modern film and television (just my private opinion anyway). I think that if any of us had opportunity to meet Lansbury in the 50s or 60s --or say, Peter O'toole, --anyone like that --we would have been confronted with a kind of fully-fledged, astute, human dynamo who were on point in every way. Consummate actors and actresses who acted because they were 'on fire' to do so. No props, no crutches. 'Go-getters'. There was a keenness to anyone who was at the top of the industry then, or anyone who was striving to attain the top. The era prior to TV.
Think of someone like Albert Finney, who appeared each night in a West End stage play ...then slept on the train-boat while make-up men prepared him for his daily assignment with Lumet, on 'Orient Express'.
Think of someone like Albert Finney, who appeared each night in a West End stage play ...then slept on the train-boat while make-up men prepared him for his daily assignment with Lumet, on 'Orient Express'.
I confess I wish I had more experience with Jeanne Crain. I can't say one way or t'other. I know nought about her character or her personal life. But she strikes me as a consummate professional, an ambitious actress hungry to prove her mettle and get to the big tier rubbing shoulders with someone like Ginger Rogers. Maybe the studio era ended before she had a fair opportunity? The faintest praise I might give her would be to liken her to Jean Peters --who as we know, could play both sides of the fence --but as I say, I just haven't seen Crain run over a decent length of track to place a confident bet on her.
Memorable 'bad girl' characters and the performers who made them great?
Which ones did you feel deserve to get whacked in the end-- and which ones did you feel deserved sympathy?