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April 2018 BOTM: Titus Groan - Melvyn Peake
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Kristel
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Mar 27, 2018 04:00AM


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However, I'll be out of town until the 9th, and won't be bringing the book. I have the whole trilogy in one volume, and it's a bit more than I can heft around with me on this trip! I'll do my best to catch up when I return.






Ooh, interesting comparison. What I find fascinating about this book is the blend of styles -- no one seems to be able to comfortably categorize it as Gothic or fantasy or.....
I read this years ago when at home with an intense bout of flu -- the feverish kind. I have no memory of the story really, but retain an impression of the mood it created and have a few random, vivid images.
I read this years ago, without the ‘fever’ and what I most remember about the book is the mood. The characters, plot all seemed rather lacking. I was not a fan and have not moved on to the second book even though I own it.


I read one book start to finish and if I listen I often finish in a day. I am an oddball and like to listen at double speed.

I would classify it as a Gothic atmosphere. I agree that Dracula is probably most similar. Also The Castle of Otranto.



https://www.google.com/amp/s/io9.gizm...
I saw it on Litsy 😂"
Definitely intrigued by this and it may give me more motivation to finish the series than I feel right now if I think I will be able to get the opportunity to watch it.

double speed! How do you guys do that! You must have trained your brains to adapt. Is the audio in a spooky kind of style?

it's a good point, Daisey, there is so much setting the stage and it is less plot driven. Still, I found the imagery to be creepy and magical, I would dog ear the pages to remember certain turns of phrase and particular passages. Since it is a series, I wonder if all 3 are written in the same way or if the action 'picks up speed' with the others.

Diane, how was the Castle of Otranto?

https://www.google.com/amp/s/io9.gizm...
I saw it on Litsy 😂"
wow so cool! I never watch tv but i would definitely tune into this. I can't imagine how they would capture the atmosphere of the book!


I just came to where Fuchsia is being introduced for the first time. It is a brief description of a girl of around fifteen, with wild black hair wearing shapeless bright red dress and saying "Oh, how I hate people"... I cannot resist to have instant sympathy for her.

Titus Groan
★★★
With a whole book named after him you would expect Titus to be the central character the focus of the plot however that is not so in Titus Groan all the 77th Lord of Gormenghast achieves is being born and making it to 18 months old.
Instead the book focusses on the characters around the new born Lord the ever present Nannie Slagg, his dreamy older sister Fuschia, the manipulative Steerpike, the strange twins Cora and Clarice his aunts and some of the more involved servants Swelter the hugely obese cook, Flay his fathers first servant and Prunesquallor the Doctor.
We are also introduced to people outside of Gormenghast castle who I predict will be important in later books the Dwellers the people who make the carvings for the hall of bright carvings.
Gormenghast itself can be seen as a character in my imagination this is a huge bleak castle hewn from a cliff of rock, it contains such rooms as the root room, full of roots and the spider room, you guessed it full of spiders.
While there is very little in the way of plot this novel is an interesting study of various characters and how they react to each other and to events that occur.
★★★
With a whole book named after him you would expect Titus to be the central character the focus of the plot however that is not so in Titus Groan all the 77th Lord of Gormenghast achieves is being born and making it to 18 months old.
Instead the book focusses on the characters around the new born Lord the ever present Nannie Slagg, his dreamy older sister Fuschia, the manipulative Steerpike, the strange twins Cora and Clarice his aunts and some of the more involved servants Swelter the hugely obese cook, Flay his fathers first servant and Prunesquallor the Doctor.
We are also introduced to people outside of Gormenghast castle who I predict will be important in later books the Dwellers the people who make the carvings for the hall of bright carvings.
Gormenghast itself can be seen as a character in my imagination this is a huge bleak castle hewn from a cliff of rock, it contains such rooms as the root room, full of roots and the spider room, you guessed it full of spiders.
While there is very little in the way of plot this novel is an interesting study of various characters and how they react to each other and to events that occur.

This book is one of my partner's favourite books. (And yet it has taken me over 15 years to get around to reading it. :-/ But, in my defence, I have read some of his other favourites over the years! They've invariably been great books that take some effort to read.) He has told me that I should feel free to stop after the second book. In fact he regrets reading the third book. He also has the TV-adaptation on DVD. I actually think I bought him that. But I haven't seen it, because I wanted to read the book first. :P Anyway, he loves the adaptation and says that most of the characters are cast absolutely perfectly. So while he is looking forward to a new adaptation by Neil Gaiman, he maintains that the old one is well worth watching too.

3.5 stars
I have completed reading Titus Groan and agree with everyone that it is more atmosphere than action. I have to say it was a effort for the first half of the book. I found the characters uniquely drawn but not all that interesting in regards what motivated them. However, slowly, the book drew me in so that I enjoyed being in Gormenghast or experiencing Gormenghast's atmosphere with its endless rooms and hallways populated by people largely driven by legacy and tradition. Unlike most fantasy, there is evil but the evil seems to exist in Steerpike's ambition not in Steerpike himself and in Swelter's prideful need for revenge rather than in Swelter himself. And in the general madness that inhabits every character to more or less a degree. Even the characters that I liked and who have some measure of normalcy; Keda, Fuchsia and the Doctor each are a bit "touched" as my grandmother used to say.
I found Steerpike's rumination on a transition to equality juxtaposed by Sourdust or Barquentine drive for no change at all ever an interesting construct but because you don't like any of them it is a strangely intellectual aside rather than the heart of the book.
I also became aware and marveled at how Peake constructed a world so limited and insular. There is a castle and an earl but no reference to the economy of that world or the structure of that power. Is there a king somewhere with an army? Who knows or cares? Do the Bright Carvers actually have a way to make a living other than carving (the vast majority of which gets burned) or even raise food? The landscape described is so barren it isn't until Flay has to feed himself that the reader realizes one even could catch a rabbit or fish. Plus there are so few characters and they only interact with each other for the most part (or with birds, cats, tree roots, books) but not with other people. It is almost as if the book is about how narrow your world can be and still be ever so slightly interesting. In this way Rottcod is the personification of the book itself.
Now, of course, I want to know what comes next and yet I am not sure I want to read the second book. Perhaps it is better to let the madness and the mist and the crags and the questions just be and remember the book for that.
Good reviews of this book. I remember the book after all these years as being bleak, dark, with not much happening. Your reviews fit my lasting memories.
