On the Southern Literary Trail discussion
Group Reads: Pre-1990
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Final Impressions: The Night of the Iguana: January 2018
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Tom, "Big Daddy"
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Dec 28, 2017 09:15AM

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I agree with this. I love the idea that you choose your family (a beautiful speech by Deborah Kerr in the movie - I presume it's in the play, but I'm still waiting for my copy through Open Library). Williams had a real maturity.

I found the German tourists (or ex-pats) marching through the first act annoying since they weren't involved in the plot. The war news on their radio showed us that the play was set around 1940, but that did not seem important to the plot.

I'm not sure what I really thought of this. I keep hoping that as I toss it over in my mind I will come to an epiphany, but I don't think it lives up to Tenn Williams' other works.
Hannah and her tenderness with the grandfather were the salvation of this play. I did not care for Larry, who seems to me to whine about his lot instead of doing something to improve it. Hannah is right, I think, when she says he conducts the tours to suit his own tastes without any consideration of his clients. His sexual exploitations are fairly disgusting, regardless of what Mama might have done to curb his natural desire to satisfy himself.
And, I totally agree with Connie that the Germans were a bit of aggravation that served to interrupt and little else. I do wonder if they offered comic relief when played on stage? Although what could be funny about 1940's Nazis. Perhaps we were meant to remember that the whole world is falling apart, not just Larry Shannon.
At least I was happy that he released the poor iguana.
Hannah and her tenderness with the grandfather were the salvation of this play. I did not care for Larry, who seems to me to whine about his lot instead of doing something to improve it. Hannah is right, I think, when she says he conducts the tours to suit his own tastes without any consideration of his clients. His sexual exploitations are fairly disgusting, regardless of what Mama might have done to curb his natural desire to satisfy himself.
And, I totally agree with Connie that the Germans were a bit of aggravation that served to interrupt and little else. I do wonder if they offered comic relief when played on stage? Although what could be funny about 1940's Nazis. Perhaps we were meant to remember that the whole world is falling apart, not just Larry Shannon.
At least I was happy that he released the poor iguana.

Why an iguana? Other than bebcase of the location, it seems like such a random selection of an animal.
Makes for a lyrical title, Night of the Coati just doesn't have the same ring to it. And, I suppose it had to be something that could be eaten. :)

I suppose I'm left a little unsatisfied, mainly because the characters were all on a plate. There wasn't a whole lot left to unravel, and I wasn't sure how much I really cared for any of them. I agree with others, the inclusion of an obnoxious, vociferous group of pink, plump Nazi Germans doing the most stereotypical German things (first to the beach, "where's the beer?") was overcooked, but maybe not entirely unnecessary, as their presence goes some way in revealing Maxine's character. While Shannon is world-wise/weary, Maxine seems pulled this way and that towards any kind of human interaction that might stop her having to... stop and think. A one-week old widow who's affected by the charm of the grotesque and welcomes their clamour acts as a kind of metaphor for Shannon's own despair with faith, and mankind.
Great analysis, Helen. I had not thought of the Germans as light cast on Maxine, but of course you are right, they are.

I might watch the film and come back to this at a later date... okay, probably not.
I can understand your feelings, Doug. I could easily have laid it down at the end of Act One and never thought of it again. It is not TW's best effort.



I'm a little late to the party here, but I'm finally about half way through Act 2 and feeling the same about this one. This seems far inferior to the likes of A Streetcar Named Desire or The Glass Menagerie or Cat on a Hot Tin Roof. The characters seem to be more caricatures, and aren't developed as much through dialogue or scenes.
Williams' characters definitely have a brashness to them, and I'm finding that in these characters.


I'm currently watching the film and it does give a bigger significance of the play in terms of theme.
As Candi said, seeing this acted out in an onstage performance might give more credence to the play.


I believe that the movie set has crumbled completely away, but you can still visit the general location in Mismaloya south of Puerto Vallarta. There was an open-air bar with a huge patio on the site when I visited in 2003. Lots of great information here: https://www.puertovallarta.net/fast_f...
In Puerto Vallarta itself, the home that Richard Burton bought for Elizabeth Taylor, Casa Kimberly, has been converted into a small hotel, with a restaurant / bar called The Iguana: http://casakimberly.com/
I toured Casa Kimberly (very nice!) in 2003 when it was under different ownership. My guide was Don Gallery, the son of silent film star Barbara La Marr, who lived fast and died young at age 29. Don was adopted by her friend, fellow star ZaSu Pitts, and her husband, film executive Tom Gallery. He later dated the young Elizabeth Taylor and remained friends with her. He was also friends with John Huston and the entire Huston clan.
When Don realized that I was a knowledgeable film buff and even knew about the silent film era, he shared a lot of information with me and pulled out all his scrapbooks. We corresponded by email for a little while thereafter. Don Gallery was quite a guy, and I am lucky to have met him. He passed away in 2014 at age 92: https://www.vallartatribune.com/don-g...

I believe that the movie set has crumbled away, but you can still visit the general location in Mismaloya south of Puerto Vallarta. There was ..."
Patrick, that's pretty cool how you visited the site and thanks for the post and relating your experience. I'll check out those links.