OWP's Wild Things Discussion discussion
Connections to English class (or any class)
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Betsy
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Oct 15, 2017 02:53PM

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The connection between YA and this chapter is Beverly Cleary, whom Handy describes as "the first great contemporary realist in children's literature" (140). I looooooooved Cleary's books as a kid, and I loved reading them with my boys when they were young. I think the things Handy points out about Cleary--"There are no orphans, no wizards, no talismans, no goblins in Cleary's books...just bratty siblings and recalcitrant pets" (140)--are true of the YA novels my students often love. While fantasy, sci fi, and dystopian have a huge place in YA (and are beloved by many readers), it's the realism many of my students enjoy. When I do individual reading conferences with my students, the number one reason students cite for enjoying a book is that it is "relatable. It sounds like high school," as a student just said to me this week. This chapter reminds me that kids of all ages want to connect with characters who are going through the things students experience at different stages of life.
Handy goes on to say, "But to call Cleary a realist, the godmother of fiction about quirky but essentially normal kids, is to limit her achievement. Her best books are gems of emotional insight..." (141). This is true of the great, modern YA authors as well: Laurie Halse Anderson, Curt Voorhes, Tim Tharp, Sharon Draper, Matt de la Pena...I could go on and on. With the real comes real emotions, and that is something our young adults need more of.


I love that your AP students are interested in reading YA novels! There are so many good ones out there right now, and it is wonderful to think that kids as advanced as yours can still enjoy such simplified books. Good for you for encouraging it. Your post made me think of how I took a children's literature elective in high school, and it was one of my favorite classes Senior year. I remember it was very popular to get into, as well. I used to love to go to the class, discuss books from my childhood, or brand new ones. Looking back, I almost think it was comforting to still hold onto this peace of childhood even as I was growing older.

This chapter also interested me because it took me back in time to my days of reading Ramona and Beezus books. I found myself remembering the lines that were printed in Handy's books, and I think I just may check some of these books out from my classroom library to start reading again--it has been way too long!


I loved learning about White's process of writing this book too. There was no Fern originally, and he put the book aside for awhile to let it "ripen." And White ends his book with his outlook on life, "the glory of everything." Great lessons for us wanna be writers.

I feel the same way about some other sections in this book, Krista. I was able to make connections to what Handu was saying because I remember so fondly many of the books he discusses (and dislike some of the texts he dislikes as well) but also because of all the background information he supplies about the writers and the writing process. I love that many of the authors didn't start writing until later in life.

