Books I Loathed discussion
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She's Come Undone
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But there was that part about the Etch-A-Sketch art. That made me laugh out loud. I often wanted to do a blog with the title The Etch-A-Sketch Diaries.


I was thoroughly plunged into Dolores' point of view. I didn't like her, but she was believable. Sometimes I felt like shaking sense into her, but I bought into the character.

I think Wally excels at making his characters real, and that includes unlikeable, obnoxious, and deserving of what happens to them. They have the same depth and flaws of any actual person you might know, and that stays with the reader.
One of the hallmarks of a good book, to me, is strong reaction one way or another. The middle of the road is boring.

If you liked a book, there's certainly no arguing with that -- hell, I like some unbelievable garbage, like The Ruins and all sorts of true crime crap I'd be embarrassed to mention. But I think it's a mistake to assert that a book must be good because a significant portion of the readers want to throw it into the closest bonfire. It's childishly easy to garner strong reactions from people in general -- look at Fred Phelps, the "God Hates Fags" guy, and there are about a dozen other examples I could come up with -- but that doesn't mean the author is doing something worthwhile in itself.
As for whether Lamb made Dolores a real character, I couldn't disagree more strongly. I thought the character was a caricature of The Poor Suffering Woman; she could have come straight out of a parody of "The Pilgrim's Progress." There was nothing organic in the portrayal; Lamb just whisked her from scene to scene, placing her in peril time and time and time again in an attempt to bludgeon the reader into giving a shit. That's not writing -- that's bullying, and it's what makes Lamb a hack.

I find that since I've become a writer, my tastes have changed dramatically. I used to read only literary fiction, but now I enjoy well-crafted popular fiction as a good escape from my own writing and arduous research. I tried finding escape by reading authors like Mary Higgins Clark, Kathy Reichs, Stephen King, Anne Perry, the Kellermans. Yuck yuck ick to all of them. I was so distracted by the clunky craft issues of the actual writing that I couldn't plunge myself into the stories. But Wally Lamb grabs me every time.
When I first saw this group, the very first book I thought of was She's Come Undone. I read it with a book group in San Francisco and everyone was oohing and ahhing and I was groaning. I applaud anyone, really, who finishes writing a novel, it's hard, but this book was so painfully bad. So shallow, gimmicky, and not even a good fun gimmick! I loathed this book from start to finish. I really tried to think, too, why I hated it so much, it was such a wholistic feeling of loathing - it annoyed me, above all, because it takes the easy way out. The writing is weak, the character is undeveloped and unengaging, and the events have no meaning.

Thanks for commenting on my comment.





On the plus side:
Easy to read: Dolores is funny. Though her actions can be exasperating to the point where you want to shake some sense into her, she is always engaging, keeping a sense of (sometimes gallows) humor as she recreates her story. And it’s impossible not to admire Lamb’s skill in writing from the perspective of an overweight, overwhelmed woman as he tracks her history over the 25-year span of the book.
Growth and development: It’s incremental, it’s painful, there is backsliding – but there is growth. The ending offers a measure of comfort, but to a degree that seems deliberately subdued – there is no fairy-tale ending here. Lamb is showing us that adversity can be overcome, but doing so is hard work. And don’t get too comfortable – any ground that you gain in life could be lost overnight. There is something completely admirable in the way that Dolores doesn’t simply buckle, but – against considerable odds – manages to reach a level of self-awareness that affords her a measure of contentment in her own skin
As against that:
Hard to read: For the same reasons that the book of Job is not your favorite book of the bible. The tribulations just keep coming. Guilt about parents divorcing? Daddy abandonment issues? That’s just the baseline. Let’s pile on a little molestation, rape, 150 or so excess pounds, several years in a psychiatric facility, peer rejection and gratuitous cruelty, marriage to a philandering narcissist, abortion, and the death of almost everyone dear to you. You can almost hear Satan betting with that dear old-Testament God about when the breaking point will happen. Dolores’s failure to conceive is almost a relief – at least we’re spared the prospect of a child-immolation scene.
Growth and development: Wait now. Didn’t I list this under the ‘things to like’? Well, yes I did. So sue me for also disliking it. Because there is that unavoidable Oprah sticker right on the cover of this book. And it’s completely obvious why – the kind of uplift that is doled out makes this book a shoo-in for Oprah-approval. But it’s hard not to feel that one is being emotionally manipulated throughout, on a grand scale. To which my – possibly irrational – response is “Dude, if you’re going to play the reader like a cheap violin, then at least have the decency to provide more of a feel-good ending than you do”.
Dead whale metaphors: Give me a break, Wally! Was this really necessary? Best you could come up with? Why not just club me over the head and have done with it?
And, if I were a lesbian, I think I’d be within my rights to be offended by this book.
You can tell, I’m all over the map where this book is concerned. Which means it got under my skin more than I might like to admit.

This book managed to hit a bunch of my hate buttons. The "psychiatry/psychology is crazy, bizarre, and abusive!" button. And that messed up so-called 'therapy' actually helped her? Fictional crap like that gives the whole mental health profession a bad name. The "humiliation makes you a strong, kind person!" button. And for that matter, the "humiliation makes for a compelling read!" button. And then the "no matter what, the story can't end without her finding love!" button.
It made me sad, because I actually read I Know This Much Is True for a graduate-level clinical psychology class, and I thought it was an excellent look at how schizophrenia, and especially the spectre of nature and/or nurture, affects families. It's like the two books weren't even written by the same author.

Bull honky. It doesn't sound like any female author I've ever read.

I had a hard time believing Lamb's solution for Delores's weight problem. She imagines her food is crawling with maggots and she just stops eating. She also manages to maintain her weight loss, although we never know how.
The most implausible part of the book for me though is when, after losing weight and becoming attractive, Delores goes after her room-mate's handsome boyfriend. She even manages to get him to fall in love with her because she'd read all his love letters to her room-mate. I just couldn't accept that she could go from pathetic plain Jane to duplicitous femme fatale, without much in between. After all her lies and manipulation, I thought it served her right when her Prince Charming turns out to be a jerk too.


Still hated it because...
THERE'S TOO MANY STEREOTYPES! Every other background character is a stereotype, the butchy lesbian, the girly kind gay guy who dies of AIDS to teach the main character about life, the rapping half-black boy, it's just endless stereotypes.
Not to mention the piles of misery, the fact that Delores was so mean sometimes. Those poor fish. Just because she had lesbian sex doesn't mean she had to kill them.
They didn't do anything to her...

People with borderline personality disorder annoy me enough in real life, I don't need to read books about them, too.
Bad writing, hackneyed situations (rape! weight gain! Confusion about sexuality! A bad boyfriend!), and repetition. Sure, what's not to love?