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Percentages of Authors Earning $10k+/yr on Amazon
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Yeah, one can do whatever, but it's important to have realistic expectations, especially since there is no foolproof formula how to become one of those less than 1% writers who make a living out of it...

Yeah, one can do whatever, but it's important to have realistic expectations, especially since there is no foolproof formula how to become one of thos..."
if you go to that link and read past the $100K+ club, then you will see how few are in the 7-figure club.

Yep, only 1340. I suspected that much. That very few (as opposite to the entire 300K) make it big time, while the vast majority of others are far far behind. With these figures, I guess a writing biz is not bankable, but likely crowdfundable -:)


Yep, only 1340. I suspected that much. That very few (as opposite to the ..."
actually, for 7 figures, there are only 64 authors = 0.02%
Tara wrote: "What about Patreon?"
yep. basically, the way i see it is patreon and these other "kickstarter"-like webapps are a way of directly interacting w/your customer-base. and, depending on the popularity of the "interaction-enabling" webapp, you can reach a very large audience.
gone is the blog.
but, like anything in hi-tech, there's a certain window of opportunity. for patreon that window would be closing by the end of the year. N.K. Jemisin has just primed the pump.
if you can get in now, then you could build your brand and then that would positively impact your other sales.
right now, i'm submitting my short fiction, but i might change my tactics and switch to patreon. i'll see if anything gets accepted by the end of july.

Right, 7-digits, not 6. It looks so unrealistic, when I'm trying to achieve 3-digits, that I haven't even paid attention -:)

i know right. it's a pretty depressing statistic, but it is important to know the real market. especially so that you don't believe the scam artists who tell you that you that's it's so easy to make it if you just buy their marketing services that are specially tailored to indies.

Yeah, I guess one shouldn't believe the marketing pitch of their marketing services, but rather look at the performance of the writers they represent. Current Amazon rating can tell you a lot. With a new book each sale on Amazon.com brings you into the range of 90-100K selling rating and into around 50K on Amazon UK. With a long time selling book, each sale brings into 200K on Amazon.com. From there one can deduce how good the sales of their clients are.
Marketing whether through your own efforts or outsourced seems inevitable, but it's so easy to spend decent amounts on wrong directions or on those, who sell dreams, so some extra care and a little of due dilligence checks aren't superfluous

I also thought along the same lines and it should work, but depending how many sales you can time for the specific moment and how high you can go with that in a popular sub-genre category. It makes sense that a top-selling position should be self-propulsive



There is no guarantee in an genre to becoming successful, from what publishers and book sellers tell me, these are the most popular genres.
Someone once told me that a good indication of the types of books that sell well are those that are sold in airports. People buy quickly there, wanting a good read for long flights. So every time I'm flying, I check out those stores to see what is hot right now, and think about how to position my books to hopefully one day slot into airport stores around the world.


I think it is a smart move as an author to watch the market, which I can see you are doing Elizabeth.
I believe as authors we need to find something original in what we each write to appeal above all the other authors out there, but remain true to the genre we write in, so readers get what they expect.
Success I see is like this:
1. Come up with an idea no one has had before
2. Write it in a way that the first line makes the reader want to read the second line, which makes them want to read the third line, and keep this up for an entire book, so when the reader get to the end they want to move straight into your next book. Then they insist that at least three of their friends read your book.
3. Make sure you market your book in the right genre, and stick with that genre.
4. Have a catchy, professional cover, and a back cover blurb that meets the requirements of point 2.
5. Do this all again with your next book, which should be released within 12 months of your first book.
Easy to say but very difficult to put into practice. But I certainly adopted this approach when I wrote The Benevolent Deception, but only time will tell how successful I am. Having a plan is better than no plan, as they say.

Great thread. Tells me that I am explicitly aiming for the top 1.3%.
I figure that I can find 5000 committed readers who will buy what I write. I can write 1 new book per 9 months with a royalty of $3 each.
That's 15K per 9 months, which would be very nice for doing something that I love/(obsession) doing.

Note: This is not your chances of making that much, but it does give you an idea of what you are up against.
"Data GuyAs far as genre goes, I do believe that you can make a practical living in pretty much any genre except for some of the outliers like poetry (which is unfortunate since that's my first love). You do need to be careful of the tropes in some sub-genres because they can be so deeply embedded in that subgenre's core readership; that is, the writers have to resolve the modern inner conflict of business vs their art.
June 7, 2016 at 12:16 am
Hi, Diana,
Thanks!
I’m not sure where you got the impression that the number of indie authors in our data set is overwhelmingly higher than the number of Big Five or Small/Medium Publishers, though — that’s not really the case.
Here are the actual author counts in our data set:
75,943 Indie Authors
123,371 Small/Medium Publisher Authors
1,822 Amazon Imprint Authors
35,457 Big Five Authors
57,498 Uncategorized
Per the above, it turns out there are actually far more traditionally published authors in our data set than indie authors, which makes the relative discrepancy between indie and traditional earnings even more remarkable.
It also means that the *percentage* of all traditionally published authors landing in the higher tax brackets is quite a bit lower than the percentage of indies landing in them.
But even this is a false equivalence. Because it ignores traditional publishing’s slush pile.
Remember, the indie author count already contains self-publishing’s equivalent of the slush pile.
Which makes comparing “percentages of all authors earning $X” somewhat meaningless, unless you include the traditional slush pile also: otherwise, it’s as misleading as comparing the incomes of lottery ticket-buyers on the one side (the indie one) with lottery winners on the other side (the trad pub one).
Imagine you’re a new author with manuscript in hand, trying to choose which way to publish.
To evaluate the probability of a given level of financial success along each publishing path, you’d have to include in the traditional count every single aspiring author who ever wrote a query letter without landing a publishing deal, along with their current $0 writing income. After all, their same-stage indie peers who finished manuscripts and wanted to see them published, already published them, and right now, are being counted in the indie totals."
(http://authorearnings.com/report/may-...)
Here's a really instructive genre analysis that authorearnings.com ran on romance.. You could even answer questions like "how often do I have to publish to keep sales momentum?" and "At what price are most books getting the best ROI?"



Here's the subgenre breakdown:


So how much do these guys earn and how many of them are there?

(http://authorearnings.com/2016-rwa-pa...)



Absolutely. I have been saying this all along.

Total # of authors on Amazon
75,943 Indie Authors
123,371 Small/Medium Publisher Authors
1,822 Amazon Imprint Authors
35,457 Big Five Authors
57,498 Uncategorized
-..."
Thanks for the # crunch Alex.

(However there will be numerous hurdles before true love can finally win through in the end...)

I actually knew how big romance was. I could tell that from watching my romance genre author friends when they have talked about their sales and when I saw their reviews, etc. Also, mystery thrillers do really well. But alas, I'm not much into writing that genre. I do sprinkle romance in everything I write, but truthfully, you can only write what your heart tells you to do. At least, that's how I am.
Total # of authors on Amazon
This is not your chances of making that much, but it does give you an idea of what you are up against. So, when someone tells you that you should become a writer, then you can point them to this post for a taste of reality.